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Feel the passion of Bartolomeo Passarotti in our art prints.

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Bartolomeo Passarotti
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Bartolomeo Passarotti

Bartolomeo Passarotti

    June 28, 1529   -   June 3, 1592
Renaissance   •   Wikipedia: Bartolomeo Passarotti

Bartolomeo Passarotti had gained an important reputation as a painter and etcher in Renaissance Italy. He is particularly regarded as a protagonist of the cinquecento as a way of depicting the concept of beauty typical of the period in painting.

There is almost no information about the centuries of Bartolomeo Passarotti's youth; the first evidence of his career dates back to 1551, when he left his birthplace Bologna to study and work in Rome with the late Renaissance architect Jacopo Barozzi da Vignola and the Mannerist painter Taddeo Zuccari. At that time, he was influenced by the architect's structured approach as well as his focus on individual artistic style with a capricious and tense style. Returning to Bologna, Bartolomeo Passarotti opened his own large workshop in 1565. In painting, he cultivated the style of the so-called Venetian school with a special focus on colouring. Among other artists, Passarotti trained the painter and engraver Agostino Carracci. At the same time he painted still lifes, portraits and religious motifs, which today can be seen mainly in Bologna's churches, for example in the Basilica of San Giacomo Maggiore.

Passarotti's portraits are regarded as an expression of the incipient Baroque in art, which is nevertheless based on the traditions of the Renaissance. At this time Passarotti was artistically influenced by Girolamo Francesco Maria Mazzola, called Parmigianino and by Antonio da Correggio. It was precisely his portraits that helped Bartolomeo Passarotti to gain the reputation of being the most important portraitist of Bologna in the late 16th century. He made use of a particularly charming use of colour - what became characteristic, however, was the extremely lively art of characterisation, an outstanding feature of the cinquecento in the Italian art of that time.

In his representations the master cultivated the concept of beauty of the Italian Cinquecento. The cinquecento style is regarded as a further development of the quattrocento with its austere, modest depictions to radiantly elaborated motifs. Thus Bartolomeo Passerotti devoted himself on the one hand to mythological and religious themes and on the other hand to a true-to-life portrait art with the representation of folk types taken from real life. The certain pathos with which the representational was understood cannot be overlooked. A characteristic feature of his later portrait painting is, among other things, a lively play of the hands. It enlivens the action up to the dramatic. In addition, Bartolomeo Passarotti captivates with his carefully worked-out physiognomy, both in the religious depictions and in the characterizing images of the people of his time.

Bartolomeo Passarotti

    June 28, 1529   -   June 3, 1592
Renaissance   •   Wikipedia: Bartolomeo Passarotti Bartolomeo Passarotti

Bartolomeo Passarotti had gained an important reputation as a painter and etcher in Renaissance Italy. He is particularly regarded as a protagonist of the cinquecento as a way of depicting the concept of beauty typical of the period in painting.

There is almost no information about the centuries of Bartolomeo Passarotti's youth; the first evidence of his career dates back to 1551, when he left his birthplace Bologna to study and work in Rome with the late Renaissance architect Jacopo Barozzi da Vignola and the Mannerist painter Taddeo Zuccari. At that time, he was influenced by the architect's structured approach as well as his focus on individual artistic style with a capricious and tense style. Returning to Bologna, Bartolomeo Passarotti opened his own large workshop in 1565. In painting, he cultivated the style of the so-called Venetian school with a special focus on colouring. Among other artists, Passarotti trained the painter and engraver Agostino Carracci. At the same time he painted still lifes, portraits and religious motifs, which today can be seen mainly in Bologna's churches, for example in the Basilica of San Giacomo Maggiore.

Passarotti's portraits are regarded as an expression of the incipient Baroque in art, which is nevertheless based on the traditions of the Renaissance. At this time Passarotti was artistically influenced by Girolamo Francesco Maria Mazzola, called Parmigianino and by Antonio da Correggio. It was precisely his portraits that helped Bartolomeo Passarotti to gain the reputation of being the most important portraitist of Bologna in the late 16th century. He made use of a particularly charming use of colour - what became characteristic, however, was the extremely lively art of characterisation, an outstanding feature of the cinquecento in the Italian art of that time.

In his representations the master cultivated the concept of beauty of the Italian Cinquecento. The cinquecento style is regarded as a further development of the quattrocento with its austere, modest depictions to radiantly elaborated motifs. Thus Bartolomeo Passerotti devoted himself on the one hand to mythological and religious themes and on the other hand to a true-to-life portrait art with the representation of folk types taken from real life. The certain pathos with which the representational was understood cannot be overlooked. A characteristic feature of his later portrait painting is, among other things, a lively play of the hands. It enlivens the action up to the dramatic. In addition, Bartolomeo Passarotti captivates with his carefully worked-out physiognomy, both in the religious depictions and in the characterizing images of the people of his time.

Artworks by Bartolomeo Passarotti

Artworks by Bartolomeo Passarotti

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58 artworks found

Bartolomeo Passarotti
Naked man pulling on his hose, a...
Undated | pen and brown ink on paper

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Bartolomeo Passarotti
 
1563 | Ink on paper

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Bartolomeo Passarotti
Portrait of a Young Man, c.1585 ...
Undated | oil on canvas

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Bartolomeo Passarotti
 
Undated | Pen and brown ink with brush and brown wash, over graphite, on tan laid paper

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Bartolomeo Passarotti
Portrait of Pope Gregory XIII, t...
Undated | pen and brown ink

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Bartolomeo Passarotti
Portrait of a scribe in a red do...
Undated | oil on canvas

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Bartolomeo Passarotti
Italian: L’enigma di Omero  Hom...
Undated |

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Bartolomeo Passarotti
Pope Gregory XIII, 16th century ...
1894 | engraving

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Bartolomeo Passarotti
 
Undated | oil on canvas

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Bartolomeo Passarotti
Zwei Marktfrauen und ein Junge m...
1580 | Unknown

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Melchior Lorck
To mænd, bærende på en gammel kv...
Undated | pen and brown ink

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Bartolomeo Passarotti
Madonna and Child Enthroned with...
Undated | oil on panel

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Bartolomeo Passarotti
 
16 |

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Bartolomeo Passarotti
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Bartolomeo Passarotti
 
Undated | oil on canvas

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Bartolomeo Passarotti
Portrait of the four Monaldini b...
16 |

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Bartolomeo Passarotti
 
Undated | Pen and brown ink on tan laid paper, laid down on ivory laid paper

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Bartolomeo Passarotti
Aenæes og Anchises [?]
Undated | pen and brown ink

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Bartolomeo Passarotti
Double portrait of musicians
1577 | oil on canvas

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Bartolomeo Passarotti
Portrait of a Notable
Undated | oil on canvas

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Bartolomeo Passarotti
Pope Pius IV, 1586-1600
Undated | oil on canvas

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Bartolomeo Passarotti
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Bartolomeo Passarotti
 
Undated | pen and iron gall ink on laid paper

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Bartolomeo Passarotti
Portrait of the Doctor, Carlo Fo...
Undated | oil on canvas

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Bartolomeo Passarotti
Anatomy lecture given by Michela...
Undated | drawing

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Bartolomeo Passarotti
The Astrologer, 1550
1550 | oil on canvas

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Bartolomeo Passarotti
 
Undated | Pen and brown ink on buff laid paper

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Bartolomeo Passarotti
 
Undated | oil on canvas

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Bartolomeo Passarotti
 
Undated | etching

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Bartolomeo Passarotti
 
Undated | oil on canvas

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Bartolomeo Passarotti
Ritratto di dama con cagnolino
1565 | oil on canvas

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Bartolomeo Passarotti
Self portrait in old age, with s...
Undated | pen and brown ink on paper

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Bartolomeo Passarotti
 
Undated | etching

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Bartolomeo Passarotti
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Bartolomeo Passarotti
Portrait of a notable
Undated | oil on canvas

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Bartolomeo Passarotti
Portrait of Torquato Tasso (1544...
Undated | oil on canvas

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Bartolomeo Passarotti
An Anatomy Lesson for Artists
Undated | oil on canvas

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Bartolomeo Passarotti
Study of an eagle
1575 | Ink on paper

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Bartolomeo Passarotti
Double portrait of musicians
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Bartolomeo Passarotti
Gedrapeerd model, met een hand v...
Undated | paper chalk ink

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Bartolomeo Passarotti
 
Undated | oil on canvas

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Bartolomeo Passarotti
 
Undated | Pen and brown ink over traces of black chalk, on tan laid paper, laid down on ivory laid paper

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Bartolomeo Passarotti
 
16 |

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Bartolomeo Passarotti
The Anatomy Lesson (pen und ink)
Undated |

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Bartolomeo Passarotti
Offer
Undated | paper

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Bartolomeo Passarotti
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Bartolomeo Passarotti
 
Undated |

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Bartolomeo Passarotti
 
Undated |

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Bartolomeo Passarotti
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Bartolomeo Passarotti
 
Undated | pen and iron gall ink on laid paper

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Bartolomeo Passarotti
The Botanist, 1570
1570 | oil on canvas

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Bartolomeo Passarotti
Visitatie
Undated | paper

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Bartolomeo Passarotti
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Bartolomeo Passarotti
 
Undated | Pen and brown ink with graphite on tan laid paper, laid down on cream laid paper

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Bartolomeo Passarotti
Italian: Ritratto di Ignazio Da...
1597 |

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Bartolomeo Passarotti
Study of an eagle
1575 | Ink on paper

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Bartolomeo Passarotti
Lute palyer
16 |

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Bartolomeo Passarotti
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Bartolomeo Passarotti
Self-portrait
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Bartolomeo Passarotti
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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