| Born | 1823 (Montpellier) |
| Died | 1889 (Paris) |
| Nationality | France |
| Epochs | Realism, Akademische Kunst, L'art pompier |
| Genre | Historienmalerei, Akt, Porträt, Genremalerei |
| Profession | Maler, Hochschullehrer |
| Teacher | François-Édouard Picot, Charles Matet |
| Student | François Lafon, Pierre Auguste Cot, Raphaël Collin, Fernand Cormon, Ludovic Napoléon Lepic, Pierre Carrier-Belleuse, Alexandre Bertin, Antoine Calbet, Eugène Damas, Charles Lucien Léandre, Théobald Chartran, Henri Gervex, Marcel Rieder, Léon Couturier, Lionel Royer, Alfred Guillou, Alexandre Le Bihan, Jules Monge, Georges Roussin, Pascal Adolphe Dagnan-Bouveret, Louis-Robert Carrier-Belleuse, Roger Jourdain, Henri Eugène Delacroix, Pharaon de Winter, Émile Jean Sulpis, Charles-Edmond Daux, Émile Betsellère, Georges Jean Marie Haquette, Rodolphe Julian, Lucien Laurent-Gsell, Benoni-Auran, Émile Jules Pichot, Charles Huot, Louis Auguste Albert Paul, Adolphe Henri Laissement, Adolphe Barnoin, Camille Barnoin, Henri Georges Caïus Morisset, J. Barles, Max Leenhardt, Artur Loureiro, Numa Marzocchi de Bellucci, Louis Gautier, Charles Clément Calderon, Fernand Humbert, Jules Badin |
| Memberships | Académie des beaux-arts |
| Notable works | Die Geburt der Venus (1863), Gestürzter Engel (1847), Cleopatra Testing Poisons on Condemned Prisoners (1887), Phädra (1880), Ophelia (1883) |
| Museums | Art Institute of Chicago, Cleveland Museum of Art |
Alexandre Cabanel (1823 - 1889) was a French painter who achieved his great importance by not following the new styles of his time. With his history paintings, portraits and mythologies, he remained true to the style of academic painting and strove more towards the art of a Michelangelo or Raffael, while his contemporaries already turned to Realism and Impressionism. The son of a carpenter, he had begun studying painting at an early age and by 1864, at the age of only forty, he had become professor at the École des Beaux-Arts and jury member of the Paris Salon.
The artist created his most famous work "The Birth of Venus" in 1863, which earned the enthusiasm of the public and the Emperor Napoleon III, who bought the painting for a record sum. Later he made copies of it himself, most of them as commissioned works. The delicate colours and balanced proportions of Venus were not celebrated by everyone and also led to criticism. However, this did not harm Cabanel's fame and reputation, he remained a respected artist for many years and exerted a great influence as a professor. Among his students was Gustave Courbet, who was at least temporarily inspired by Cabanel.
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| Born | 1823 (Montpellier) |
| Died | 1889 (Paris) |
| Nationality | France |
| Epochs | Realism, Akademische Kunst, L'art pompier |
| Genre | Historienmalerei, Akt, Porträt, Genremalerei |
| Profession | Maler, Hochschullehrer |
| Teacher | François-Édouard Picot, Charles Matet |
| Student | François Lafon, Pierre Auguste Cot, Raphaël Collin, Fernand Cormon, Ludovic Napoléon Lepic, Pierre Carrier-Belleuse, Alexandre Bertin, Antoine Calbet, Eugène Damas, Charles Lucien Léandre, Théobald Chartran, Henri Gervex, Marcel Rieder, Léon Couturier, Lionel Royer, Alfred Guillou, Alexandre Le Bihan, Jules Monge, Georges Roussin, Pascal Adolphe Dagnan-Bouveret, Louis-Robert Carrier-Belleuse, Roger Jourdain, Henri Eugène Delacroix, Pharaon de Winter, Émile Jean Sulpis, Charles-Edmond Daux, Émile Betsellère, Georges Jean Marie Haquette, Rodolphe Julian, Lucien Laurent-Gsell, Benoni-Auran, Émile Jules Pichot, Charles Huot, Louis Auguste Albert Paul, Adolphe Henri Laissement, Adolphe Barnoin, Camille Barnoin, Henri Georges Caïus Morisset, J. Barles, Max Leenhardt, Artur Loureiro, Numa Marzocchi de Bellucci, Louis Gautier, Charles Clément Calderon, Fernand Humbert, Jules Badin |
| Memberships | Académie des beaux-arts |
| Notable works | Die Geburt der Venus (1863), Gestürzter Engel (1847), Cleopatra Testing Poisons on Condemned Prisoners (1887), Phädra (1880), Ophelia (1883) |
| Museums | Art Institute of Chicago, Cleveland Museum of Art |
Alexandre Cabanel (1823 - 1889) was a French painter who achieved his great importance by not following the new styles of his time. With his history paintings, portraits and mythologies, he remained true to the style of academic painting and strove more towards the art of a Michelangelo or Raffael, while his contemporaries already turned to Realism and Impressionism. The son of a carpenter, he had begun studying painting at an early age and by 1864, at the age of only forty, he had become professor at the École des Beaux-Arts and jury member of the Paris Salon.
The artist created his most famous work "The Birth of Venus" in 1863, which earned the enthusiasm of the public and the Emperor Napoleon III, who bought the painting for a record sum. Later he made copies of it himself, most of them as commissioned works. The delicate colours and balanced proportions of Venus were not celebrated by everyone and also led to criticism. However, this did not harm Cabanel's fame and reputation, he remained a respected artist for many years and exerted a great influence as a professor. Among his students was Gustave Courbet, who was at least temporarily inspired by Cabanel.