Accent en Rose, 1926  by Wassily Kandinsky

Accent en Rose, 1926

(Accent en Rose, 1926)

Wassily Kandinsky

Expressionism  ·  Abstract shapes
abstract · circle · geometrical · geometric · blaue reiter · blue rider · vier · four · german expressionist · bauhaus · pink · composition · colour theory
Accent en Rose, 1926 by Wassily Kandinsky
1926   ·  Öl auf Leinwand  ·  Picture ID: 63635   ·  Musee National d'Art Moderne, Centre Pompidou, Paris, France / bridgemanimages.com
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Accent en Rose, 1926  by Wassily Kandinsky

Accent en Rose, 1926

(Accent en Rose, 1926)

Wassily Kandinsky

Expressionism  ·  Abstract shapes
abstract · circle · geometrical · geometric · blaue reiter · blue rider · vier · four · german expressionist · bauhaus · pink · composition · colour theory
Accent en Rose, 1926 by Wassily Kandinsky
1926   ·  Öl auf Leinwand  ·  Picture ID: 63635   ·  Musee National d'Art Moderne, Centre Pompidou, Paris, France / bridgemanimages.com
   Add to favorites
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Produktionszeit: 2-4 Werktage
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Other art prints by Wassily Kandinsky
On White II, 1923 Simple Complexity or, Ambiguity, 1939 Small Pleasures, 1913 Untitled Improvisation, 1914 Murnau, Houses in the Obermarkt, 1908, by Wassily Kandinsky (1866-1944), oil on cardboard, 64x50 cm. Russia, 20th century. Landscape with a Green House, 1908.  Pastoral, 1911 Several Circles 13 rectangles Soft Hard Composition with Circles and Lines, 1926 Improvisation 27 Garden of Love II. 1912 Yellow Red Blue Descent, 1925 (gouache and mixed media on paper) The Last Judgement
Other art prints by Wassily Kandinsky
On White II, 1923 Simple Complexity or, Ambiguity, 1939 Small Pleasures, 1913 Untitled Improvisation, 1914 Murnau, Houses in the Obermarkt, 1908, by Wassily Kandinsky (1866-1944), oil on cardboard, 64x50 cm. Russia, 20th century. Landscape with a Green House, 1908.  Pastoral, 1911 Several Circles 13 rectangles Soft Hard Composition with Circles and Lines, 1926 Improvisation 27 Garden of Love II. 1912 Yellow Red Blue Descent, 1925 (gouache and mixed media on paper) The Last Judgement
Other motives from the category Abstract shapes
On White II, 1923 Simple Complexity or, Ambiguity, 1939 Small Pleasures, 1913 Untitled Improvisation, 1914 Soft Hard In the Grey, 1919 Intersecting Lines, 1923 Black Frame, 1922 Red Knot, 1936 Abstract Lulli, 1919 Composition IV, 1911, by Wassily Kandinsky (1866-1944), oil on canvas, 159x250 cm. Russia, 20th century. Untitled No. 22, 1914-15 Composition, 1930 (wc and indian ink) Improvisation 209, 1917 Untitled (composition), 1918
Other motives from the category Abstract shapes
On White II, 1923 Simple Complexity or, Ambiguity, 1939 Small Pleasures, 1913 Untitled Improvisation, 1914 Soft Hard In the Grey, 1919 Intersecting Lines, 1923 Black Frame, 1922 Red Knot, 1936 Abstract Lulli, 1919 Composition IV, 1911, by Wassily Kandinsky (1866-1944), oil on canvas, 159x250 cm. Russia, 20th century. Untitled No. 22, 1914-15 Composition, 1930 (wc and indian ink) Improvisation 209, 1917 Untitled (composition), 1918
Excerpt from our top sellers
On White II, 1923 The Journey of the Magi to Bethlehem, the right hand wall of the chapel, c.1460 The Empty Chair Italy, Rome, Church of Santa Maria della Vittoria, Ecstasy of St Teresa of Avila, 1647-1652, by Gian Lorenzo Bernini (1598-1680) Composition No 11 in grey, pink and blue, 1913, by Piet Mondrian (1872-1944), oil on canvas. Netherlands, 20th century. Apollo and Daphne, 1622-1625, by Gian Lorenzo Bernini (1598-1680), marble sculptural group. Italy, 17th century. Briggate, Leeds, 1891 (oil on paper mounted on canvas) Portrait of a Lady Small Pleasures, 1913 The Bohemian, 1890 The Dream of St. Joseph After the Bath, 1890 Nymphs and Satyr The sin Paolo and Francesca
Excerpt from our top sellers
On White II, 1923 The Journey of the Magi to Bethlehem, the right hand wall of the chapel, c.1460 The Empty Chair Italy, Rome, Church of Santa Maria della Vittoria, Ecstasy of St Teresa of Avila, 1647-1652, by Gian Lorenzo Bernini (1598-1680) Composition No 11 in grey, pink and blue, 1913, by Piet Mondrian (1872-1944), oil on canvas. Netherlands, 20th century. Apollo and Daphne, 1622-1625, by Gian Lorenzo Bernini (1598-1680), marble sculptural group. Italy, 17th century. Briggate, Leeds, 1891 (oil on paper mounted on canvas) Portrait of a Lady Small Pleasures, 1913 The Bohemian, 1890 The Dream of St. Joseph After the Bath, 1890 Nymphs and Satyr The sin Paolo and Francesca

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Accent en Rose, 1926 (AT) Accent en Rose, 1926 (DE) Accent en Rose, 1926 (CH) Accent en Rose, 1926 (US)
Accent en Rose 1926 (IT) Accent en Rose, 1926  (FR) Accent in Pink, 1926 (NL) Acento en rosa, 1926 (ES) Акцент в розовом, 1926 (RU)
एक्सेन्ट इन पिंक, 1926 (HI) 粉红色的口音,1926年 (ZH) Sotaque em rosa, 1926 (PT) アクセントアンローズ、1926 (JP) أكسنت روز ، 1926 (AE)

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Accent en Rose, 1926 (AT) Accent en Rose, 1926 (DE) Accent en Rose, 1926 (CH) Accent en Rose, 1926 (US) Accent en Rose 1926 (IT) Accent en Rose, 1926  (FR) Accent in Pink, 1926 (NL) Acento en rosa, 1926 (ES) Акцент в розовом, 1926 (RU) एक्सेन्ट इन पिंक, 1926 (HI) 粉红色的口音,1926年 (ZH) Sotaque em rosa, 1926 (PT) アクセントアンローズ、1926 (JP) أكسنت روز ، 1926 (AE)


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