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Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid

Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832

(Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 (hand-coloured engraving))


Luigi Ademollo

€ 119.58
Enthält 0% MwSt.
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1832  ·  hand-coloured engraving  ·  Image ID: 199526

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Clytie into a Flower or Clizia Transformata in Eliotropia, Book IV, illustration from Ovid's Metamorphoses, Florence, 1832 by Luigi Ademollo. Available as an art print on canvas, photo paper, watercolor board, natural paper, or Japanese paper.
ovid · metamorphosis · mythology · mythological · classical · c19th · roman · clizia transformata in eliotropia · female · clytie · flower · chariot · horses · apollo · flowers · Private Collection / Bridgeman Images
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 119.58
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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Narcissus into a Flower, Book III, Illustration from Ovid Elijah Takes Off to the Sky Costume design for Paris as a shepherd on Mount Ida Elijah Takes Off to the Sky Semele is Thunderstruck or Nascita de Bacco, Illustration from Ovid Jove in Love with Io, Book I, Illustration from Ovid Hygieia Sacrificing for Bernstorff Allegory of Sincerity Holding a Dove Against Her Breast and Presents a Radiant Heart. Engraving in Narcisse contemplating his reflection (engraving of 1819 in Cyparissus into a Tree or Ciparisso, Book X, Illustration from Ovid Allegory of calamity. She sits on breezes whose fragility is the image of the instability of fortune and the miseries of life. Engraving in Frontispiece, illustration from Ovid Bacchus and Ariadne, Book VIII, Illustration from Ovid Allegory of Desperation depicts a dagger in the breast and a branch of cypress in the hand (tree that once adorned the tombs). The breeze compass is the emblem of the disorder of thought. Engraving in Allegory of philanthropy. She holds a scholarship and comes to rescue a poor man to whom she reaches out. Her attribute is a pelican that opens his breast to feed his young. Engraving in The dawn (Apollo guides the chariot of the sun). Allegory of sunrise. Engraving from 1819 in Allegory of love satisfaction represented by a graceful teenager kneeling in front of a heart in the middle of a flowered rose tree whose roses and thorns are allusive to the sorrows and sweets of love. The lover cries to embellish what he loves. Pyramus and Thisbe, Book IV, illustration from Ovid Joseph Cast into the Pit by his Brethren, from a Bible printed by Edward Gover, 1870s Ganymede carried off into Heaven, Book X, illustration from Ovid Allegorical Representation with Writing Woman, Busts, Pegasus, and Apollo (Title Page for: Cornelis Sweerts, Poetic Emblems, 1736) Jupiter and the Ass Phoebus and Daphne or Apollo and Daphne, illustration from Ovid Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid Hercules on the Pyre, Book IX, illustration from Ovid Clemency allegory. She is represented holding a spear and an olive branch to indicate that she has the power to punish but also to forgive. The lion is the attribute of generosity. Engraving in “Iconologie oder Ideen aus dem Gebiete der Leidenschaften un A Boy into a Lizard or Ntellio Transformato in Lucerta, Book V, illustration from Ovid Tragedy from Fifteen Etchings Dedicated to Sir Joshua Reynolds Come on, help Virginia. Illustration for the novel
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Pyrrha and Deucalion, Illustration from Ovid The Golden Age or Eta dell Arachne into a Spider, Book VI, Illustration from Ovid Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovid Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid Lycian Rustics into Frogs or Latona transforms the Villagers into Frogs, Book VI, illustration from Ovid Dryope into a Tree, Book IX, illustration from Ovid Hercules and Achelous, Book IX, Illustration from Ovid Lycaon into a Wolf, illustration from Ovid Daedalus and Icarus, Book VIII, illustration from Ovid Cyane and the Rape of Proserpina or Ciane Transformata in Fonte, Book V, Illustration from Ovid Actaeon into a Stag or Ateone Cangiato in Cervo, Illustration from Ovid Pentheus Persecutes Bacchus Phoebus and Daphne or Apollo and Daphne, illustration from Ovid Pyramus and Thisbe, Book IV, illustration from Ovid
Show more works by Luigi Ademollo

More art prints by Luigi Ademollo

Pyrrha and Deucalion, Illustration from Ovid The Golden Age or Eta dell Arachne into a Spider, Book VI, Illustration from Ovid Arethusa into a Fountain or Alfeo Insegue Aretusa, Book V, illustration from Ovid Echo and Narcissus or Eco e Narciso, Book III, illustration from Ovid Lycian Rustics into Frogs or Latona transforms the Villagers into Frogs, Book VI, illustration from Ovid Dryope into a Tree, Book IX, illustration from Ovid Hercules and Achelous, Book IX, Illustration from Ovid Lycaon into a Wolf, illustration from Ovid Daedalus and Icarus, Book VIII, illustration from Ovid Cyane and the Rape of Proserpina or Ciane Transformata in Fonte, Book V, Illustration from Ovid Actaeon into a Stag or Ateone Cangiato in Cervo, Illustration from Ovid Pentheus Persecutes Bacchus Phoebus and Daphne or Apollo and Daphne, illustration from Ovid Pyramus and Thisbe, Book IV, illustration from Ovid
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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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