The Magnificence of Ancient and Modern Rome (vol. 1) by Giuseppe Vasi

The Magnificence of Ancient and Modern Rome (vol. 1)

(Delle Magnificenze di Roma Antica e Moderna (vol. 1))


Giuseppe Vasi

€ 108.83
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Undated  ·   1 vol: ill:  ·  Picture ID: 1255473

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The Magnificence of Ancient and Modern Rome (vol. 1) by Giuseppe Vasi. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper.
Mark J. Millard Architectural Collection, David K.E. Bruce Fund, National Gallery of Art
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

€ 108.83
(inkl. 20% MwSt)
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Bildschärfe: PERFEKT

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The Magnificence of Rome: The Most Remarkable Consisting of a Large Number of Prints in Which the Most Conspicuous Buildings of Modern Rome Are Represented, and the Remains of the Ancient Ones, Including Those Scattered Throughout Italy, with the Addition The Magnificence of Ancient and Modern Rome (vol. 2) Of the Magnificence of Ancient and Modern Rome (vol. 3) The Vatican Temple and Its Origin with the Most Conspicuous Buildings of Antiquity and Recently Established There; Published by Knight Carlo Fontana, Deputy Minister and Architect of the Same Famous Temple. With Most of the Rules, and New Architecture and Frontispiece from an Early Copy of Mitridate, re di Ponte, an Opera by Wolfgang Amadeus Mozart, 1770 Frontispiece from Mozart The Most Beautiful Monuments of Ancient Rome or Collection of the Most Beautiful Pieces of Roman Antiquity That Still Exist: Drawn by Mr. Barbault, Former Royal Pensioner in Rome, and Engraved in 128 Plates with Their Explanation. Title Page with Framed Title Frontispiece of musical score of Dedication Page Title Print with Framed Title Frontispiece of Il Cantore Ecclesiastico Collection of Ancient and Modern Statues Dedication page of Newton First page of the musical score of Aria Seria by Domenico Cimarosa Frontispiece of Musical Score of Violin in Concerto V in Il cimento dell Fifth Edition of His Intended Works Frontispiece of Le Gratie d Title page of De l Life of the Great Michelangelo Buonarroti Urbis Venetiarum Prospectus Celebriores, Ex Antonii Canal Tabulis XXXVIII. Aere Expressi ab Antonio Visentini in Partes Tres Distributi. Pars Prima [-Pars Tertia] Frontispiece of Recanetum de musica aurea by Stephanus Aureus Frontispiece to Sidereus Nuncius by Galileo Galilei, 1610 Frontispiece Dedication to Don Lorenzo de Frontispiece of Trattato della natura e Cognizione di tutti gli duoni di canto figurato by Pietro Aron Dedication to the Royal Society of the First Edition of Newton Works of the Knights Jean Baptiste and François Piranesi Dedication to Don Lorenzo de
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The Magnificence of Rome: The Most Remarkable Consisting of a Large Number of Prints in Which the Most Conspicuous Buildings of Modern Rome Are Represented, and the Remains of the Ancient Ones, Including Those Scattered Throughout Italy, with the Addition The Magnificence of Ancient and Modern Rome (vol. 2) Of the Magnificence of Ancient and Modern Rome (vol. 3) The Vatican Temple and Its Origin with the Most Conspicuous Buildings of Antiquity and Recently Established There; Published by Knight Carlo Fontana, Deputy Minister and Architect of the Same Famous Temple. With Most of the Rules, and New Architecture and Frontispiece from an Early Copy of Mitridate, re di Ponte, an Opera by Wolfgang Amadeus Mozart, 1770 Frontispiece from Mozart The Most Beautiful Monuments of Ancient Rome or Collection of the Most Beautiful Pieces of Roman Antiquity That Still Exist: Drawn by Mr. Barbault, Former Royal Pensioner in Rome, and Engraved in 128 Plates with Their Explanation. Title Page with Framed Title Frontispiece of musical score of Dedication Page Title Print with Framed Title Frontispiece of Il Cantore Ecclesiastico Collection of Ancient and Modern Statues Dedication page of Newton First page of the musical score of Aria Seria by Domenico Cimarosa Frontispiece of Musical Score of Violin in Concerto V in Il cimento dell Fifth Edition of His Intended Works Frontispiece of Le Gratie d Title page of De l Life of the Great Michelangelo Buonarroti Urbis Venetiarum Prospectus Celebriores, Ex Antonii Canal Tabulis XXXVIII. Aere Expressi ab Antonio Visentini in Partes Tres Distributi. Pars Prima [-Pars Tertia] Frontispiece of Recanetum de musica aurea by Stephanus Aureus Frontispiece to Sidereus Nuncius by Galileo Galilei, 1610 Frontispiece Dedication to Don Lorenzo de Frontispiece of Trattato della natura e Cognizione di tutti gli duoni di canto figurato by Pietro Aron Dedication to the Royal Society of the First Edition of Newton Works of the Knights Jean Baptiste and François Piranesi Dedication to Don Lorenzo de
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Other art prints by Giuseppe Vasi

View of the Piazza Navona During the Ferragosto Holiday The Casino and Villa Borghese, near Rome Basilica of Saint Peters, Vatican The Prospect of the Leonine City, Seen with the Vatican Basilica, Bridge, and Castel S. Angelo Prospect of the City of Rome from Monte Gianciolo The Seconda Macchina for the Chinea of 1775: A Bull-fight The Seconda Macchina for the Chinea of 1761: A Magnificent Theater View of the Casino della Vigna and the Villa Giulia Beyond, c.1761 The Church of St. John Lateran Piazza di Spagna, c.1740 Piazza del Campidoglio The Prima Macchina for the Chinea of 1752: A Deliziosa Alluding to Villa Carl The Campo Vaccino The Prima Macchina for the Chinea of 1767: A Triumphal Arch with the Farnese Hercules The Prima Macchina for the Chinea of 1771: The Temple of Asclepius, 1771
Discover more works by Giuseppe Vasi

Other art prints by Giuseppe Vasi

View of the Piazza Navona During the Ferragosto Holiday The Casino and Villa Borghese, near Rome Basilica of Saint Peters, Vatican The Prospect of the Leonine City, Seen with the Vatican Basilica, Bridge, and Castel S. Angelo Prospect of the City of Rome from Monte Gianciolo The Seconda Macchina for the Chinea of 1775: A Bull-fight The Seconda Macchina for the Chinea of 1761: A Magnificent Theater View of the Casino della Vigna and the Villa Giulia Beyond, c.1761 The Church of St. John Lateran Piazza di Spagna, c.1740 Piazza del Campidoglio The Prima Macchina for the Chinea of 1752: A Deliziosa Alluding to Villa Carl The Campo Vaccino The Prima Macchina for the Chinea of 1767: A Triumphal Arch with the Farnese Hercules The Prima Macchina for the Chinea of 1771: The Temple of Asclepius, 1771
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