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Feel the passion of Johann Heinrich Füssli in our art prints.

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Johann Heinrich Füssli
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Museum Quality Art Prints
Customization Options Available

Johann Heinrich Füssli

    February 7, 1741   -   April 16, 1825
Romanticism   •   Wikipedia: Johann Heinrich Füssli

Henry Fuseli, born Johann Heinrich Füssli in Zurich in 1741, is one of the most remarkable painters of his time. Fuseli came from an educated milieu and received his first painting impulses from his father, who was himself a landscape and still life painter. Fuseli's sisters were also painters. After studying theology, Henry Fuseli initially became a pastor, but then had to leave his native Zurich because of critical writings. At that time, the painting pastor had already studied ancient writings of Homer, Shakespeare and Dante.

In 1764, Fuseli settled in London after a brief stint in Berlin, where he had made a name for himself as a translator. The portrait painter Sir Joshua Reynolds supported him in concentrating on painting in the future. Between 1770 and 1778, Fuseli lived in Rome, intensively studying the works of Michelangelo and engaging with the art of antiquity. Back in London, Fuseli was accepted into the Royal Academy: His reputation was already legendary at the time. With the oil painting "Thor's Fight with the Midgard Serpent", Fuseli became a full member of the Academy. A few years later he also received a professorship.

What distinguishes the painting of the Swiss-English artist? Fuseli's art is considered suggestive, demonic, intensely sensual. The visionary, even gruesome is the subject of his painting. Fuseli realizes this, as in "Titania and Bottom," in sensuous colors and strong contrasts of light and dark. At the same time, the painter was a lover of theater and literature. In an emotionally charged manner, he illustrated Shakespeare's dramas, for example "Hamlet", in drastic black and white. The painting "The Three Witches Appear Macbeth and Banquo" is magnificent in its somber coloring and palpable drama.

Johann Heinrich Füssli

    February 7, 1741   -   April 16, 1825
Romanticism   •   Wikipedia: Johann Heinrich Füssli

Henry Fuseli, born Johann Heinrich Füssli in Zurich in 1741, is one of the most remarkable painters of his time. Fuseli came from an educated milieu and received his first painting impulses from his father, who was himself a landscape and still life painter. Fuseli's sisters were also painters. After studying theology, Henry Fuseli initially became a pastor, but then had to leave his native Zurich because of critical writings. At that time, the painting pastor had already studied ancient writings of Homer, Shakespeare and Dante.

In 1764, Fuseli settled in London after a brief stint in Berlin, where he had made a name for himself as a translator. The portrait painter Sir Joshua Reynolds supported him in concentrating on painting in the future. Between 1770 and 1778, Fuseli lived in Rome, intensively studying the works of Michelangelo and engaging with the art of antiquity. Back in London, Fuseli was accepted into the Royal Academy: His reputation was already legendary at the time. With the oil painting "Thor's Fight with the Midgard Serpent", Fuseli became a full member of the Academy. A few years later he also received a professorship.

What distinguishes the painting of the Swiss-English artist? Fuseli's art is considered suggestive, demonic, intensely sensual. The visionary, even gruesome is the subject of his painting. Fuseli realizes this, as in "Titania and Bottom," in sensuous colors and strong contrasts of light and dark. At the same time, the painter was a lover of theater and literature. In an emotionally charged manner, he illustrated Shakespeare's dramas, for example "Hamlet", in drastic black and white. The painting "The Three Witches Appear Macbeth and Banquo" is magnificent in its somber coloring and palpable drama.

Artworks by Johann Heinrich Füssli

Artworks by Johann Heinrich Füssli

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Johann Heinrich Füssli
The Nightmare, 1781
1781 | Oil on canvas

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Johann Heinrich Füssli
The Nightmare, c.1781
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
1790 | oil/oil

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
 
1781 | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
The Witch and the Mandrake, 18th...
Undated | pencil and chalk on paper

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Johann Heinrich Füssli
 
1790 | oil on canvas

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Johann Heinrich Füssli
Reclining Nude and Woman at the ...
1799 | oil on canvas

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Johann Heinrich Füssli
The Three Witches Appearing to M...
1793 | oil painting

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Johann Heinrich Füssli
 
1812 | oil painting

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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
The Shepherds Dream, from Paradi...
1793 | oil painting

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Johann Heinrich Füssli
Titania's Awakening, c.1785-90
1790 |

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Johann Heinrich Füssli
Abel, the first victim sacrifici...
Undated | engraving

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Johann Heinrich Füssli
The Night-Hag Visiting Lapland W...
Undated |

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Johann Heinrich Füssli
Study of a Back of a Female Nude...
undatiert | Watercolor on paper

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Johann Heinrich Füssli
Prometheus Freed by Hercules, 17...
1781 | oil on canvas

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Johann Heinrich Füssli
The Italian Court, or Ezzelier, ...
Undated | oil on canvas

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Johann Heinrich Füssli
 
1785 | oil on canvas

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Johann Heinrich Füssli
The Nightmare Leaving Two Sleepi...
1810 | graphite and watercolour on paper

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Johann Heinrich Füssli
'Teiresias foretells the future ...
1804 | oil painting

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Johann Heinrich Füssli
Head of a Damned Soul from Dante...
Undated |

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Johann Heinrich Füssli
The Shepherds Dream, 1786
1786 |

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Johann Heinrich Füssli
The Shepherd's Dream, c.1786 (pe...
Undated | pencil, red chalk and grey wash

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Johann Heinrich Füssli
Achilles Searching for the Shade...
1803 | oil on canvas

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Johann Heinrich Füssli
Tekemessa and Eurysakes, c.1800-10
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
The Creation of Eve, 1791-93
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated | Etching and aquatint on ivory wove paper

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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
Scene of Witches from 'The Masqu...
Undated | oil on canvas

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Johann Heinrich Füssli
A Woman Swooning at a Writing Ta...
Undated | Pencil, pen and black ink

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Johann Heinrich Füssli
Titania, Bottom and the Fairies,...
1803 | engraving

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Johann Heinrich Füssli
Ulysses Escaping from Polyphemus...
1808 | engraving

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Johann Heinrich Füssli
Percival Delivering Belisane...,...
1783 | oil painting

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Johann Heinrich Füssli
The death of Cardinal Beaufort
Undated | engraving

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Johann Heinrich Füssli
Mad Kate, 1806-07
Undated | oil on canvas

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Johann Heinrich Füssli
The Fairy Queen Appears to Princ...
1785 | oil on canvas

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Johann Heinrich Füssli
Sapphic Love,
Undated | pencil and pen and brown ink

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated | lithograph

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated |

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Johann Heinrich Füssli
The Vision of the Deluge,
Undated | oil on canvas

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Johann Heinrich Füssli
Milton Dictating to His Daughter...
1794 | oil on canvas

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Johann Heinrich Füssli
 
Undated | Charcoal with stumping, and brush and black wash, over graphite, on tan laid paper, laid down on off-white Japanese paper

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Johann Heinrich Füssli
Titania finds the magic ring on ...
Undated | oil on canvas

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Johann Heinrich Füssli
An Old Woman Wearing a Rosary Cu...
Undated | pencil, pen and brown ink, grey wash

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Johann Heinrich Füssli
 
Undated | Brush and brown and brownish-red wash, over graphite, on cream laid paper

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Johann Heinrich Füssli
 
1805 | Ink on paper

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Johann Heinrich Füssli
Young woman with elaborate coiff...
Undated |

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Johann Heinrich Füssli
The Massacre of the Innocents,
Undated | Pencil, pen and brown ink, brown wash

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Johann Heinrich Füssli
 
Undated | Graphite and brush and black wash, with touches of charcoal (recto), and graphite (verso), on cream wove paper

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Johann Heinrich Füssli
Study for self-portrait, by Henr...
Undated |

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Johann Heinrich Füssli
Hamlet, Act I, Scene IV, by Will...
Undated | lithograph

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Johann Heinrich Füssli
Edgar, Feigning Madness Approach...
1772 | pen, ink and sepia wash over traces of pencil on paper

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Johann Heinrich Füssli
The Witches in Macbeth
Undated | engraving

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Johann Heinrich Füssli
The Witch and the Mandrake, abou...
1812 | chalk

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Johann Heinrich Füssli
Dispute between Hotspur, Glendow...
Undated |

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
The Artist in Despair over the M...
Undated | red chalk and sepia wash on paper

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Johann Heinrich Füssli
Portrait Study of a Woman, proba...
Undated | black chalk heightened with white on paper

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Johann Heinrich Füssli
Lady Macbeth Sleepwalking, 1783
1783 | oil on canvas

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Johann Heinrich Füssli
The Death of Cardinal Beaufort, ...
Undated | engraving

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Johann Heinrich Füssli
""Theodore rencontre le spectre ...
Undated |

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
The Nightmare, 1781 (chalk on pa...
1781 | chalk on paper

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
undatiert | oil on canvas

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Johann Heinrich Füssli
 
1811 | Watercolor on paper

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Johann Heinrich Füssli
The Apotheosis of Penelope Booth...
1792 | oil on canvas

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Johann Heinrich Füssli
Oedipus Cursing His Son Polynice...
Undated |

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Johann Heinrich Füssli
Half Figure of a Courtesan with ...
Undated | pencil, watercolour and ink on paper

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Johann Heinrich Füssli
Dana? and Perseus on Seriphos(?)
Undated | oil on canvas

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Johann Heinrich Füssli
Dead hero with goddesses, 1778, ...
1943 | wash/ink/pen

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated | Charcoal and black chalk, with stumping, heightened with white chalk and touches of red-orange pastel, on grayish-tan laid paper

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Johann Heinrich Füssli
Cassandra Raving, 18th century (...
Undated | pencil, chalk and wash on paper

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Johann Heinrich Füssli
The Three Witches appearing to M...
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated | Pen and brown ink (recto and verso) on cream laid paper

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Johann Heinrich Füssli
 
18th century | oil on canvas

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Johann Heinrich Füssli
Head of a Damned Soul from Dante...
Undated | oil on canvas

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Johann Heinrich Füssli
Ursula, c.1789
1789 | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated | Lithograph in black on buff wove paper

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Johann Heinrich Füssli
A Woman Sitting by the Window (“...
Undated | Lithograph in black on cream wove paper, tipped onto mount with aquatint border in gray on cream wove paper

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Johann Heinrich Füssli
The Newspaper in the Countryside...
1806 | oil on canvas

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Johann Heinrich Füssli
 
Undated | Oil paint, over touches of graphite, on cream wove paper, laid down on stipple etching, etching, and aquatint in black on cream wove paper

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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
 
Undated | Pen and brown ink, and brush and brown and gray wash, over graphite (recto), and graphite (verso), on tan laid paper

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Johann Heinrich Füssli
The Fire King appears to Count A...
Undated | oil on canvas

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Johann Heinrich Füssli
Portrait of a woman, late 18th-e...
1943 | wash/ink/pencil

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Johann Heinrich Füssli
 
1795 | Graphite on paper

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Johann Heinrich Füssli
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Johann Heinrich Füssli
 
Undated | oil on canvas

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Johann Heinrich Füssli
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Johann Heinrich Füssli
Portrait of Mrs Fuseli, c.1798 (...
Undated | watercolour over pencil on paper

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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


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+43 4257 29415
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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
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