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Jean Francois Millet

Jean Francois Millet

   •   Realism   •   Wikipedia: Jean Francois Millet
220 Discovered works of art  •  ID: #2765
Born the son of a peasant, Jean-François Millet received a scholarship from the École des Beaux-Arts in Paris, but in 1849 he returned to his native Barbizon, where he painted his most important works. Millet quickly became the most important representative of French realism. The best-known of his works are dedicated to the everyday work and life of the peasants, are held in soft, light brown shades and earth tones and radiate in a golden, soft light.

Millet said: "The theme of the peasants is best suited to my nature, at the risk of being called a socialist: the human side touches me the most in art, the joyous side never shows itself to me, I do not know if It never exists, I have never seen it The most beautiful thing I know is the silence, the silence that is so precious in the forest as on the cultivated fields, always giving me a dreamlike feeling Dream is a sad one, he is often a very delicious dream. "

Especially famous are Millet's "The Gleaners". Created in 1857, the painting shows three stooped farm women in the evening light at the field work. The "angelus peal", which shows two peasants praying over a basket of potatoes, made such feelings of discomfort with Salvador Dalí that he could cause the Louvre to do an x-ray on the canvas to prove that Millet was actually the funeral of one Child showed. When, in fact, the sketch of a black box was found, Dalí wrote a book called Le Mythe tragique de l'Angélus de Millet. "The Sower" inspired Vincent van Gogh to write his own version of the subject in The Sower of the Setting Sun. © Meisterdrucke


Portrait of Louise-Antoinette Fe...
1841 | Oil on canvas

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Portrait of Louise-Antoinette Fe...
1841 | Oil on canvas

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The Sower, c.1865 (pastel und cr...
1865 | pastel and crayon on paper

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The Sower, c.1865 (pastel und cr...
1865 | pastel and crayon on paper

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L'homme à la houe
1860 | Oil on canvas

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L'homme à la houe
1860 | Oil on canvas

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LHomme à la houe
1860 | Oil on canvas

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LHomme à la houe
1860 | Oil on canvas

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Le parc à moutons
1872 | Oil on canvas

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Le parc à moutons
1872 | Oil on canvas

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Peasants Resting, c.1866 (pencil...
1866 | pencil and pastel on paper

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Peasants Resting, c.1866 (pencil...
1866 | pencil and pastel on paper

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La leçon à tricoter
1860 | Oil on panel

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La leçon à tricoter
1860 | Oil on panel

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Le vanneur
1846 | Oil on canvas

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Le vanneur
1846 | Oil on canvas

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Femme filature
1855 | Oil on panel

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Femme filature
1855 | Oil on panel

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La fin de la journée, effect du ...
1814 | Oil on canvas

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La fin de la journée, effect du ...
1814 | Oil on canvas

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Narzissen und Veilchen
1867 | Oil on canvas

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Narzissen und Veilchen
1867 | Oil on canvas

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Les Glaneuses
Undated | colour lithograph

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Les Glaneuses
0 | colour lithograph

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Dattente
1860 | Oil on canvas

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Dattente
1860 | Oil on canvas

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Ferme à Gruchy
1814 | Ink on paper

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Ferme à Gruchy
1814 | Ink on paper

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Wäscherin
1861 | Oil on canvas

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Wäscherin
1861 | Oil on canvas

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Churning Butter, 1866-68 (pencil...
Undated | pencil and pastel on paper

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Churning Butter, 1866-68 (pencil...
0 | pencil and pastel on paper

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Apport à la maison le veau né da...
1860 | Oil on canvas

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Apport à la maison le veau né da...
1860 | Oil on canvas

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Jeune fille gardant ses moutons
2015 | Oil on panel

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Jeune fille gardant ses moutons
2015 | Oil on panel

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Bûcheron
1850 | Oil on canvas

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Bûcheron
1850 | Oil on canvas

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A Farmer's wife sweeping, 1867 (...
1867 | pastel on brown paper

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A Farmer's wife sweeping, 1867 (...
1867 | pastel on brown paper

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Pierre Claude Aimable Gachot, Na...
Undated | Oil on canvas

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Mädchen hüttet die Schafe
1863 | Oil on canvas

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Mädchen hüttet die Schafe
1863 | Oil on canvas

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1862 | Pastel and Coal with Black Pen and Ink on Wove Paper

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1862 | Pastel and Coal with Black Pen and Ink on Wove Paper

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Etude préparatoire pour les prem...
Undated | Brush on paper

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Etude préparatoire pour les prem...
undatiert | Brush on paper

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