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Feel the passion of Arnold Böcklin in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

Discover artworks now!
Arnold Böcklin
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Museum Quality Art Prints
Individual Customization Options

Arnold Böcklin

October 16, 1827   -   January 16, 1901
Symbolism   •   Wikipedia: Arnold Böcklin

Light is reflected in the water, sparkles through a canopy of leaves and you can literally feel the breeze gently tipping the reeds aside. The paintings of the Swiss painter Arnold Böcklin are so powerfully and masterfully expressed that one would like to sit in front of his masterpieces for hours. Restrained yet expressive, that was his strength and it is not without reason that he is considered one of the founders of Symbolism.

Arnold Böcklin was born in Basel in 1827 and was already as a young man caught up in an uninterrupted urge to travel, which would not leave him until his death. After his training in Düsseldorf, he spent extended periods of time in Belgium and the Netherlands, in Paris at the Louvre or in ancient Rome. Each stay left a lasting impression and had a particular impact on his works of art. While his first paintings were characterized by peaceful landscape painting, in which muted colors, gentle breezes and winking sunbeams predominate, his style later changed to the over-compensatory ideal of antique-mythological art. Instead of green hills and colourful trees, dark motifs such as ruins, wars, death and the plague increasingly came to the fore.

Böcklin was influenced, among other things, by his travels and numerous moves from one vibrant European city to another, which was expressed above all in his love of landscape painting. However, the paradigm shift in Europe at that time towards growing nationalism and imperialism combined with wars and epidemics and personal strokes of fate also had a decisive influence on Böcklin. Together with his wife and muse Angela Pascucci, he gave birth to fourteen children, eight of whom died in infancy. Pictures such as his work "Self-Portrait with Fiddling Death" bear witness to his grief and the depression of these losses. On top of this came financial problems, impending poverty and artistic setbacks.

With "Pan in the Reeds" in 1859, he finally made his first breakthrough and marked the beginning of his transformation from landscape impressionism to mythical symbolism, which he decisively influenced with his works during his creative period. Whether it be idyllic landscapes or stormy mythical and religious motifs, Böcklin loved the play of light and shadow, of light and dark between plants, trees, waters and rocks. He processed social and political events in Europe at the time in expressions of deep mythology such as in "A Murderer Persecuted by Furies" or "Centaur Fight" in 1873, which is interpreted as his emblematic contemporary expression of the Franco-Prussian War. Böcklin's works were not popular with everyone at the time, many critics found his paintings too "loud" or "shouting" or were shocked by the "offensive" motifs. Nevertheless, Böcklin managed during his lifetime to gain attention and recognition throughout Europe with his works of art and he was able to settle at the age of 68 in the Italian city of Florence, where he died on 18 January 1901.

Arnold Böcklin

October 16, 1827   -   January 16, 1901
Symbolism   •   Wikipedia: Arnold Böcklin

Light is reflected in the water, sparkles through a canopy of leaves and you can literally feel the breeze gently tipping the reeds aside. The paintings of the Swiss painter Arnold Böcklin are so powerfully and masterfully expressed that one would like to sit in front of his masterpieces for hours. Restrained yet expressive, that was his strength and it is not without reason that he is considered one of the founders of Symbolism.

Arnold Böcklin was born in Basel in 1827 and was already as a young man caught up in an uninterrupted urge to travel, which would not leave him until his death. After his training in Düsseldorf, he spent extended periods of time in Belgium and the Netherlands, in Paris at the Louvre or in ancient Rome. Each stay left a lasting impression and had a particular impact on his works of art. While his first paintings were characterized by peaceful landscape painting, in which muted colors, gentle breezes and winking sunbeams predominate, his style later changed to the over-compensatory ideal of antique-mythological art. Instead of green hills and colourful trees, dark motifs such as ruins, wars, death and the plague increasingly came to the fore.

Böcklin was influenced, among other things, by his travels and numerous moves from one vibrant European city to another, which was expressed above all in his love of landscape painting. However, the paradigm shift in Europe at that time towards growing nationalism and imperialism combined with wars and epidemics and personal strokes of fate also had a decisive influence on Böcklin. Together with his wife and muse Angela Pascucci, he gave birth to fourteen children, eight of whom died in infancy. Pictures such as his work "Self-Portrait with Fiddling Death" bear witness to his grief and the depression of these losses. On top of this came financial problems, impending poverty and artistic setbacks.

With "Pan in the Reeds" in 1859, he finally made his first breakthrough and marked the beginning of his transformation from landscape impressionism to mythical symbolism, which he decisively influenced with his works during his creative period. Whether it be idyllic landscapes or stormy mythical and religious motifs, Böcklin loved the play of light and shadow, of light and dark between plants, trees, waters and rocks. He processed social and political events in Europe at the time in expressions of deep mythology such as in "A Murderer Persecuted by Furies" or "Centaur Fight" in 1873, which is interpreted as his emblematic contemporary expression of the Franco-Prussian War. Böcklin's works were not popular with everyone at the time, many critics found his paintings too "loud" or "shouting" or were shocked by the "offensive" motifs. Nevertheless, Böcklin managed during his lifetime to gain attention and recognition throughout Europe with his works of art and he was able to settle at the age of 68 in the Italian city of Florence, where he died on 18 January 1901.

Artworks by Arnold Böcklin

Artworks by Arnold Böcklin

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265 artworks found

Arnold Böcklin
Die Toteninsel
1883 | Oil on panel

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Arnold Böcklin
Die Toteninsel. 1883 (Dritte Fas...
Undated | oil on wood

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Arnold Böcklin
 
1880 | oil on canvas

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Arnold Böcklin
 
1886 | oil on wood

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Arnold Böcklin
Die Toteninsel
1880 | oil on canvas

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Arnold Böcklin
Isle of the Dead, 1883
Undated |

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Arnold Böcklin
Die Toteninsel. Fünfte Version. ...
Undated | Oil/wood

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Arnold Böcklin
Das Irrlicht
1862 | painting

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Arnold Böcklin
 
Undated |

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Arnold Böcklin
Self-portrait with Death Playing...
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Arnold Böcklin
Isle of the Dead, second version...
1880 | oil on wood

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Arnold Böcklin
Odysseus and Polyphemus, 1896
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Arnold Böcklin
Sacred Grove, 1886
1886 | Oil on panel

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Arnold Böcklin
Centaur at the village blacksmit...
Undated | painting

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Arnold Böcklin
Nymphe und Satyr
1871 | oil on canvas

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Arnold Böcklin
Das Schweigen des Waldes
1885 | painting

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Arnold Böcklin
The Freedom Helvetia, 1891.
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Arnold Böcklin
Heiliger Hain
1882 | oil on canvas

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Arnold Böcklin
Sappho
1862 | oil on canvas

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Arnold Böcklin
Die Kapelle
1898 | oil on canvas

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Arnold Böcklin
Der Abenteurer. 1882
Undated | Tempera on canvas

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Arnold Böcklin
Die Heimkehr
1827 | oil on canvas

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Arnold Böcklin
Mondscheinlandschaft mit Ruine
1849 | oil on canvas

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Arnold Böcklin
The Island of the Living, 1888 (...
1888 | oil on mahogany wood

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Arnold Böcklin
German: Die Toteninsel Isle of ...
1883 |

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Arnold Böcklin
German: Triton und Nereïde  Tri...
1874 |

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Arnold Böcklin
The Chapel; Die Kapelle, 1898
1898 | oil on canvas

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Arnold Böcklin
German: Die Toteninsel Isle of ...
1883 |

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Arnold Böcklin
 
Undated |

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Arnold Böcklin
Kentaur in der Dorfschmiede - Ce...
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Arnold Böcklin
 
1881 | painting

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Arnold Böcklin
Roman Landscape, 1852
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Arnold Böcklin
Triton und Nereide … (painting o...
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Arnold Böcklin
Angelika, von einem Drachen bewacht
1871 | Oil on panel

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Arnold Böcklin
Play of the Nereides , 1886.
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Arnold Böcklin
Flora, Blumen streuend
1875 | Oil on panel

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Arnold Böcklin
Ruine am Meer
1878 | painting

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Arnold Böcklin
Die Pest
1898 | Unknown

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Arnold Böcklin
 
1851 | oil on canvas

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Arnold Böcklin
Triton, auf einer Muschel blasend
1879 | oil on canvas

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Arnold Böcklin
 
1875 | painting

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Arnold Böcklin
Vestalin
100 | painting

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Arnold Böcklin
Faun einer Amsel zupfeifend
1864 | oil on canvas

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Arnold Böcklin
Zwei fischende Pane
1874 | oil on canvas

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Arnold Böcklin
 
1896 | Oil on panel

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Arnold Böcklin
Self-Portrait with the wineglass...
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Arnold Böcklin
Battle of the Centaurs, 1872-73
1872 | oil on canvas

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Arnold Böcklin
Ulysses and Calypso, 1882.
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Arnold Böcklin
Waldlandschaft am Wasser bei auf...
1850 | Watercolor on paper

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Arnold Böcklin
Island of the Dead, 1880.
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Arnold Böcklin
In the Sea, 1883
1883 | oil on panel

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Arnold Böcklin
Allegory of the war, c.1910 (pos...
Undated | print

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Arnold Bocklin
Villa by the sea, ca. 1877 (Oil ...
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Arnold Böcklin
German: Der Sommertag  Summer day
1881 |

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Arnold Böcklin
Bergschloss mit Kriegerzug
1871 | oil on canvas

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Arnold Böcklin
Two fishing Pans, 1874.
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Arnold Böcklin
 
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Arnold Böcklin
Verlassene Venus
1850 | oil on canvas

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Arnold Böcklin
Ruggiero und Angelica
1873 | oil on canvas

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Arnold Böcklin
Play of the Nereides, 1886
1886 | oil on canvas

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Arnold Böcklin
 
Undated | oil on canvas

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Arnold Böcklin
lang
1883 |

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Arnold Böcklin
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Arnold Böcklin
Die Gefilde der Seligen
1877 | oil on canvas

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Arnold Böcklin
Sappho, 1862.
Undated |

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Arnold Böcklin
Self Portrait, 1893-95
Undated | oil on canvas

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Arnold Böcklin
Selbstporträt mit fiedelndem Tod...
Undated | oil on canvas

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Arnold Böcklin
German: Die Toteninsel Isle of ...
Undated |

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Arnold Böcklin
Im Albanergebirge
1851 | oil on canvas

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Arnold Böcklin
The island of life , 1888.
Undated |

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Arnold Bocklin
A castle on the seashore … (pain...
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Arnold Böcklin
The battle on the bridge, 1889.
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Arnold Böcklin
Self-Portrait, 1862.
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Arnold Böcklin
Villa am Meer - Villa on the sea...
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Arnold Böcklin
Bildnis Margaretha Antoinette Mä...
1865 | oil on canvas

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Arnold Böcklin
 
1866 | oil on canvas

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Arnold Böcklin
 
Undated | oil on canvas

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Arnold Böcklin
Shield with the face of Meduse, ...
Undated | relief and paper mache

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Arnold Böcklin
Roman Landscape
1852 | oil on canvas

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Arnold Böcklin
Nymphe an der Quelle
1854 | painting

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Arnold Böcklin
 
1877 | oil on canvas

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Arnold Böcklin
Odyssee d'Homere : ""Ulysse et P...
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Arnold Böcklin
Kentaurenkampf
1873 | oil on canvas

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Arnold Böcklin
Paolo and Francesca, 1893.
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Arnold Böcklin
The Death of Cleopatra (first ve...
1872 | oil on canvas

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Arnold Bocklin
Villa on the seashore (painting ...
Undated |

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Arnold Böcklin
""Soiree de printemps"" (Spring ...
Undated |

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Arnold Böcklin
 
Undated | oil on fabric

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Arnold Böcklin
Selbsbildnis mit Weinglas
1885 | oil on canvas

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Arnold Böcklin
 
Undated |

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Arnold Böcklin
Sirenen. 1875
Undated | oil on canvas

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Arnold Böcklin
 
Undated | tempera on panel

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Arnold Böcklin
The Death of Cleopatra first ver...
Undated |

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Arnold Böcklin
The Hunt of Diana, 1896
1896 | oil on canvas

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Arnold Böcklin
Villa on the seashore … (paintin...
Undated |

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Arnold Böcklin
German: Villa am Meer (Mord im ...
1859 |

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Arnold Böcklin
German: Die Toteninsel Isle of ...
1886 |

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Arnold Böcklin
Meerestille (Calm Sea), 1886-87
Undated | oil on wood

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Arnold Böcklin
 
1858 | oil on canvas

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Arnold Böcklin
Der Künstler und seine Frau
1863 | painting

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Arnold Böcklin
A. Böcklin, Melancholia
19th century | painting

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Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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