Self-Portrait by Rembrandt van Rijn

Self-Portrait

(Selbstportrait)

Rembrandt van Rijn

Baroque  ·  personalities
rembrandt · classic · chiaroscuro · lighting · portrait · study · self · muted · color · rennaissance
Self-Portrait by Rembrandt van Rijn
1659   ·  Öl auf Leinwand  ·  Picture ID: 29217
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09.02.2018
Marcus A.
Art print on Canvas glossy, 30cm x 39cm, stretched on stretcher.
Rembrandt is considered the master of light. Fantastic is how the artist portrays himself in his self-portrait. Resting in himself, sitting on a chair in a lateral position and looking directly at the observer, we meet a master who is sure of himself. The wrinkled face shows traces of age, whereas the thick, curly hair on both sides of the artist's cap indicates vitality. Like a spotlight, the painter's face is illuminated. As a result, the expression is extremely lively, almost physical. Except for the hands, which the master brighter, but only hinted at in lighter shades lying in the lap, the entire figure is held in shades of brown. Only at second glance does one recognize on the cap, hair, shoulder and scarf light-brightened areas. The powerful left shoulder is also masterfully designed: it almost haptically stands out from the dark background. © Meisterdrucke

Self-Portrait by Rembrandt van Rijn

Self-Portrait

(Selbstportrait)

Rembrandt van Rijn

Baroque  ·  personalities
rembrandt · classic · chiaroscuro · lighting · portrait · study · self · muted · color · rennaissance
Self-Portrait by Rembrandt van Rijn
1659   ·  Öl auf Leinwand  ·  Picture ID: 29217
   Add to favorites


09.02.2018
Marcus A.
Art print on Canvas glossy, 30cm x 39cm, stretched on stretcher.
Rembrandt is considered the master of light. Fantastic is how the artist portrays himself in his self-portrait. Resting in himself, sitting on a chair in a lateral position and looking directly at the observer, we meet a master who is sure of himself. The wrinkled face shows traces of age, whereas the thick, curly hair on both sides of the artist's cap indicates vitality. Like a spotlight, the painter's face is illuminated. As a result, the expression is extremely lively, almost physical. Except for the hands, which the master brighter, but only hinted at in lighter shades lying in the lap, the entire figure is held in shades of brown. Only at second glance does one recognize on the cap, hair, shoulder and scarf light-brightened areas. The powerful left shoulder is also masterfully designed: it almost haptically stands out from the dark background. © Meisterdrucke
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Bildschärfe: PERFEKT
Other art prints by Rembrandt van Rijn
Woman urinating under a tree, 1631 23.K5-292 The Three Trees The Angel Stopping Abraham from Sacrificing Isaac, 1636 Joseph Telling his Dreams, 1638. The Entombment Simeon and Hannah in the Temple, c.1627 A Girl with a Broom, 1651 The Return of the Prodigal Son, c1668 A lady and gentleman in black Study of a nude woman as Cleopatra Abraham Receives the Three Angels, 1646 Nude drawing for a youth The Abduction of Proserpina Woman Bathing in a Stream, 1654 The Doubting Thomas (red chalk on paper)
Other art prints by Rembrandt van Rijn
Woman urinating under a tree, 1631 23.K5-292 The Three Trees The Angel Stopping Abraham from Sacrificing Isaac, 1636 Joseph Telling his Dreams, 1638. The Entombment Simeon and Hannah in the Temple, c.1627 A Girl with a Broom, 1651 The Return of the Prodigal Son, c1668 A lady and gentleman in black Study of a nude woman as Cleopatra Abraham Receives the Three Angels, 1646 Nude drawing for a youth The Abduction of Proserpina Woman Bathing in a Stream, 1654 The Doubting Thomas (red chalk on paper)
Other motives from the category personalities
George Washington, reproduced in The Outline of History: being a plain history of life and mankind by H.G. Wells, London Portrait of Nikola Tesla c.1885 The Alba Madonna Benjamin Franklin The Meeting of Antony and Cleopatra Portrait of Pablo Picasso Napoleon (1769-1821) in his Study Antonius Van Dyck and Peter Paul Rubens eques eques Dwight D. Eisenhower George Washington Sistine Chapel Ceiling: Creation of Adam, 1510 Marie-Antoinette of Lorraine-Habsbourg, queen of France and her children Napoleon I (1769-1821) on the Bridge of Arcole Portrait of Nikola Tesla, 1890 Napoleon on the Battlefield of Eylau
Other motives from the category personalities
George Washington, reproduced in The Outline of History: being a plain history of life and mankind by H.G. Wells, London Portrait of Nikola Tesla c.1885 The Alba Madonna Benjamin Franklin The Meeting of Antony and Cleopatra Portrait of Pablo Picasso Napoleon (1769-1821) in his Study Antonius Van Dyck and Peter Paul Rubens eques eques Dwight D. Eisenhower George Washington Sistine Chapel Ceiling: Creation of Adam, 1510 Marie-Antoinette of Lorraine-Habsbourg, queen of France and her children Napoleon I (1769-1821) on the Bridge of Arcole Portrait of Nikola Tesla, 1890 Napoleon on the Battlefield of Eylau
Excerpt from our top sellers
Irène The Origin of the World Birth of Venus Large Study, 1914 Moon rising Over the Sea Woman urinating under a tree, 1631 Otters and Walrus The young Napoleon Bonaparte studying Woman with a Veil Kings Manor Garden at East Hendred, Oxon Roses, Mexico City, 1924 Geography of Plants in Tropical Countries, A Study of the Andes, drawn by Schoenberger and Turpin, printed by Langlois, Paris Woman Reading in an Interior Psyche Revived by the Kiss of Cupid marble detail of 123192 Colorful in the triangle
Excerpt from our top sellers
Irène The Origin of the World Birth of Venus Large Study, 1914 Moon rising Over the Sea Woman urinating under a tree, 1631 Otters and Walrus The young Napoleon Bonaparte studying Woman with a Veil Kings Manor Garden at East Hendred, Oxon Roses, Mexico City, 1924 Geography of Plants in Tropical Countries, A Study of the Andes, drawn by Schoenberger and Turpin, printed by Langlois, Paris Woman Reading in an Interior Psyche Revived by the Kiss of Cupid marble detail of 123192 Colorful in the triangle

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