Self-Portrait by Rembrandt van Rijn

Self-Portrait

(Selbstportrait)

Rembrandt van Rijn

Baroque
rembrandt · classic · chiaroscuro · lighting · portrait · study · self · muted · color · rennaissance
Self-Portrait by Rembrandt van Rijn
1659   ·  Öl auf Leinwand  ·  Picture ID: 29217
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09.02.2018
Marcus A.
Art print on Canvas glossy, 30cm x 39cm, stretched on stretcher.
Rembrandt is considered the master of light. Fantastic is how the artist portrays himself in his self-portrait. Resting in himself, sitting on a chair in a lateral position and looking directly at the observer, we meet a master who is sure of himself. The wrinkled face shows traces of age, whereas the thick, curly hair on both sides of the artist's cap indicates vitality. Like a spotlight, the painter's face is illuminated. As a result, the expression is extremely lively, almost physical. Except for the hands, which the master brighter, but only hinted at in lighter shades lying in the lap, the entire figure is held in shades of brown. Only at second glance does one recognize on the cap, hair, shoulder and scarf light-brightened areas. The powerful left shoulder is also masterfully designed: it almost haptically stands out from the dark background. © Meisterdrucke
Self-Portrait by Rembrandt van Rijn

Self-Portrait

(Selbstportrait)

Rembrandt van Rijn

Baroque
rembrandt · classic · chiaroscuro · lighting · portrait · study · self · muted · color · rennaissance
Self-Portrait by Rembrandt van Rijn
1659   ·  Öl auf Leinwand  ·  Picture ID: 29217
   Add to favorites


09.02.2018
Marcus A.
Art print on Canvas glossy, 30cm x 39cm, stretched on stretcher.
Rembrandt is considered the master of light. Fantastic is how the artist portrays himself in his self-portrait. Resting in himself, sitting on a chair in a lateral position and looking directly at the observer, we meet a master who is sure of himself. The wrinkled face shows traces of age, whereas the thick, curly hair on both sides of the artist's cap indicates vitality. Like a spotlight, the painter's face is illuminated. As a result, the expression is extremely lively, almost physical. Except for the hands, which the master brighter, but only hinted at in lighter shades lying in the lap, the entire figure is held in shades of brown. Only at second glance does one recognize on the cap, hair, shoulder and scarf light-brightened areas. The powerful left shoulder is also masterfully designed: it almost haptically stands out from the dark background. © Meisterdrucke
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Other art prints by Rembrandt van Rijn
Abraham Receives the Three Angels, 1646 The Small Lion Hunt with One Lion, ca. 1629. Portrait of Nicolaes Ruts Portrait of a Young Woman Titus, the Artists son, c.1662 An Elephant, 1637 Saskia van Uylenburgh as Girl Portrait of Maurits Huygens, 1632 Portrait of an Old Woman, 17th century Christ and the Canaanite Woman The Mill The Betrothal The Nightwatch Jacob III of Gheyn View of Amsterdam, c.1640
Other art prints by Rembrandt van Rijn
Abraham Receives the Three Angels, 1646 The Small Lion Hunt with One Lion, ca. 1629. Portrait of Nicolaes Ruts Portrait of a Young Woman Titus, the Artists son, c.1662 An Elephant, 1637 Saskia van Uylenburgh as Girl Portrait of Maurits Huygens, 1632 Portrait of an Old Woman, 17th century Christ and the Canaanite Woman The Mill The Betrothal The Nightwatch Jacob III of Gheyn View of Amsterdam, c.1640
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Excerpt from our top sellers
The Meeting of Antony and Cleopatra Portrait of Pablo Picasso Napoleon on the Battlefield of Eylau Sistine Chapel Ceiling: Creation of Adam, 1510 Faust and Gretchen The Painter Adolph Menzel David with Head of Goliath Napoleon I (1769-1821) on the Bridge of Arcole George C. Marshall Portrait of Nikola Tesla, 1890 Napoleon (1769-1821) in his Study Ak Crown Princess Cecilie with her daughters Alexandrine and Cecilie, Terrier Portrait of Nikola Tesla, 1890 Portrait of Jorge Manuel Theotocópuli Marie-Antoinette of Lorraine-Habsbourg, queen of France and her children
Excerpt from our top sellers
View of Dresden by Moonlight A Sunday on La Grande Jatte - 1884 The day after Monk by the Sea Waterlilies, after 1916 Lady Diana Cooper, 1915 The Fountain of the French Academy in Rome, 1826-27 Vase of Roses The Zaporozhye Cossacks writing a letter to the Turkish Sultan, 1890-91 Landscape with Waterfall and Figures, 1768 The Death of Sherlock Holmes, illustration for The Final Problem by Arthur Conan Doyle (1859-1930), published in Strand Magazine, December 1893  The Marriage Feast at Cana, c.1665-75 Davos in winter, 1923 Avond (Evening): The Red Tree, 1908-10 Intersecting Lines, 1923
Excerpt from our top sellers
View of Dresden by Moonlight A Sunday on La Grande Jatte - 1884 The day after Monk by the Sea Waterlilies, after 1916 Lady Diana Cooper, 1915 The Fountain of the French Academy in Rome, 1826-27 Vase of Roses The Zaporozhye Cossacks writing a letter to the Turkish Sultan, 1890-91 Landscape with Waterfall and Figures, 1768 The Death of Sherlock Holmes, illustration for The Final Problem by Arthur Conan Doyle (1859-1930), published in Strand Magazine, December 1893  The Marriage Feast at Cana, c.1665-75 Davos in winter, 1923 Avond (Evening): The Red Tree, 1908-10 Intersecting Lines, 1923

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