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Lilith by John Collier

Lilith

(Lilith)

John Collier

Pre Raphaelites  ·  Female nude  ·  Our favourites
nude · female · snake · long hair · pre-raphaelite · pre raphaelite · full length · femme fatale · serpent · evil · seductive · alluring · coiling · embracing · temptress · caressing · sensual · erotic · tresses · tangled · lascivious · lust · first woman · nudity · nudes · naked
Lilith by John Collier
1887   ·  Öl auf Leinwand  ·  57.35 Megapixel  ·  Picture ID: 204842   ·  Atkinson Art Gallery, Southport, Lancashire, UK / bridgemanimages.com
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08.09.2018
Linnea W.
Good job!
Art print on Canvas glossy, 34cm x 65cm, stretched on stretcher.
John Collier, a representative of the Pre-Raphaelites, created the painting of Lilith in 1887, depicting her as a seductive and sensual woman with a snake.

Lilith has had many faces throughout history. Originally, she was worshiped as a Sumerian goddess, who lived with the Snake and the Anzu bird tribe of the World Tree. At the command of the goddess Inana, the tree was split and Lilith fled to an unknown area.

In Aramaic legends and incantations, the name Lilith appears as a term for demons that haunt man at night and have been held responsible for the sudden infantile death. While the biblical translation of Martin Luther seeks the name Lilith in vain, it is described in other Bible translations that the home of Lilith is the desert.

The modern emancipation has chosen Lilith as a symbol for the independence of the woman. It represents the counterpart to Eve, who submits to patriarchal rule. The roots are in the Jewish-emancipatory theology. Lilith is the learned strong woman who, unlike Eve, resists the temptations of the devil and defies the rule of Adam, the man. As the first woman of Adam, according to another tradition, she has led God to betray his holy name. She asked for wings from God and flew away.

In his painting, Collier focuses on the demonic side of Lilith as a sensual and seductive woman and symbol of sexuality. Compositionally as well, apart from Lilith, everything else stays in the shade. Through the serpent, with whom she lives in harmony, Lilith is staged as an antithesis to Eve and as an ally of the dark side. This is her fate in the modern media world, where she usually takes on the role of evil. © Meisterdrucke
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Other art prints by John Collier
Pharaohs Handmaidens The Last Voyage of Henry Hudson, c.1940s Lilith Lilith Portrait of Charles Darwin, standing three quarter length, 1897 Clytemnestra, c.1914 Lady Godiva, c.1898 Field Marshal Earl Kitchener of Khartoum Thomas Henry Huxley (1825-95) etched by Leopold Flameng (1831-1911) 1885 In the Venusburg (Tannhauser), 1901 The Plague The Death of Cleopatra Sir John Evans, 1905 Circe, 1885 The Sleeping Beauty 
Other motives from the category Female nude
Naked girl Two hugging women Bust length female nude, 34 view, black background - c.1880 Nude with bandeau, c.1900 Study of a nude, c.1900 Young Girl with Harp, 1903 Mars and Venus Female Nude Venus Verticordia, 1868  (see also 11103) In the Bath, c.1883 (pastel and charcoal on paper) Nude (oval) 1887 BATHING IN COLD WATER The Bather, 1863 Nude Study, Girl Sitting on a Flowered Cushion, 1923-24 The Lady from the Sea, 1896
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Two hugging women Girl Reading, 1874 Pandemonium, 1841 Illustration to the Divine Comedy by Dante Alighieri Abyss of Hell, 1480-1490 The Fall of Icarus The Red Rigi The Garden of Earthly Delights Composition No 11 in grey, pink and blue, 1913, by Piet Mondrian (1872-1944), oil on canvas. Netherlands, 20th century. Snow Effect with Setting Sun, 1875 Carnation, Lily, Lily, Rose The Lady of Shalott Mending the Sail, 1896 Malcesine on Lake Garda The Dream of the Fishermans Wife Noonday Heat

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