Trompe loeil with Studio Wall and Vanitas Still Life(Trompe loeil mit Studio Mauer und Vanitas-Stillleben) |
Cornelis Norbertus Gijsbrechts |
Unclassified artists
momento mori · transcience · flemish · trompe loeil · cabinet of curiosities · peeling canvas · painters palette · meta · skull · death |
Trompe loeil with Studio Wall and Vanitas Still Life by Cornelis Norbertus Gijsbrechts 1668 · Öl auf Leinwand · Picture ID: 6410 |
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In 1668, Cornelius Norbertus Gijsbrechts painted an impressive painting, calling it "Trompe l'oeil with Studio Wall and Vanitas Still Life". It shows as a background a wooden wall with a canvas on a shelf, on which are also the utensils of the painter. The canvas shows a still life with symbols of death and resurrection on a marble ledge, a so-called vanitas still life. The painting is part of a series of paintings in which the objects are particularly three-dimensional. The genre is called Trompe l'oeil (in English: deception of the eye) and is typical of the Baroque. The genre was also popular in the rest of Europe. © Meisterdrucke |
Trompe loeil with Studio Wall and Vanitas Still Life(Trompe loeil mit Studio Mauer und Vanitas-Stillleben) |
Cornelis Norbertus Gijsbrechts |
Unclassified artists
momento mori · transcience · flemish · trompe loeil · cabinet of curiosities · peeling canvas · painters palette · meta · skull · death |
Trompe loeil with Studio Wall and Vanitas Still Life by Cornelis Norbertus Gijsbrechts 1668 · Öl auf Leinwand · Picture ID: 6410 |
Add to favorites 0 Reviews |
In 1668, Cornelius Norbertus Gijsbrechts painted an impressive painting, calling it "Trompe l'oeil with Studio Wall and Vanitas Still Life". It shows as a background a wooden wall with a canvas on a shelf, on which are also the utensils of the painter. The canvas shows a still life with symbols of death and resurrection on a marble ledge, a so-called vanitas still life. The painting is part of a series of paintings in which the objects are particularly three-dimensional. The genre is called Trompe l'oeil (in English: deception of the eye) and is typical of the Baroque. The genre was also popular in the rest of Europe. © Meisterdrucke |