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Marianne Stokes

Marianne Stokes' paintings captivate with their quiet spirituality and delicate use of color, creating an atmosphere of introspection and timeless beauty. Her works invite viewers to pause and reflect.


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Marianne Stokes
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Museum Quality Art Prints
Individual Customization Options

Marianne Stokes

Austria · January 1, 1855–August 13, 1927 · Nonclassified artists · 39 artworks found
Marianne Stokes' paintings captivate with their quiet spirituality and delicate use of color, creating an atmosphere of introspection and timeless beauty. Her works invite viewers to pause and reflect. more about the artist
Marianne Stokes

Marianne Stokes

        January 1, 1855   -   August 13, 1927
Nonclassified artists   •   Wikipedia: Marianne Stokes

Marianne Stokes was an Austrian painter who lived and worked in England at the turn of the century with her husband Adrian Strokes, also a painter. The couple traveled extensively and were in close contact with other artists. Marianne Stokes' early, middle, and late work, in addition to a gradual shift away from oil painting toward tempera, shows a gradual change in her choice of subject matter and reveals various influences of contemporary trends. With the paintings for the publication of her trip to Hungary, she also left behind a work of ethnographic expressiveness.

Marianne Stoke's education took her from her native Graz to Munich and Paris. During a stay in 1883 at the Pont-Aven artists' colony, she met Adrian Stokes, whom she married in 1884. The artist couple moved to England, but traveled extensively and frequently sought contact with artist colonies such as St. Ives in Cornwall, where Marianne Stokes became a member of the Newly School, and Skagen, Denmark. Marianne and Adrian were among the driving forces of the art scene; Marianne's work reflects the impression left by her interactions with important artists of the time.

Marianne Stokes began her career in the environment of the Munich School, in the circle of her teacher Wilhelm von Lindenschmitt, Gabriel von Hackl, Otto Seitz and apparently Johann Strauss, who dedicated a polka-mazurka entitled "Light and Shadow" to her in 1875. An early work like "Träumendes Mädchen" from 1875 shows why. A first development towards the genre-like is shown by "Der Milchkrug" from 1884.

In France, the influence of painters such as Jules Bastien Lepage and Jean Francois Millet is noticeable. In this period fall mainly landscapes and genre scenes of rural naturalism such as "On the way to the fields (1885). The paintings created in the environment of the artists' colony on St. Ives and the stay in Skagen are also in this tradition. In "In a Field of Crowfoot," Stoke explores Impressionism in 1890. From the 1890s on, an interest in religious, mythical, and medieval-romantic themes prevails, revealing the influence of the Pre-Raphaelites. An early step in this direction is, for example, "The Frog Prince" after the Brothers Grimm from 1890, exemplified by works such as "Angel Entertains the Holy Child" (1893) or "Aucassin and Nicolette" (1898). Then, from 1895, Stokes turned more and more from oil painting to tempera, for example in "Madonna and Child" (1905). A trip to the Balkans by the couple was documented in 1909 with the book "Hungary", for which Marianne Stokes created pictures of ethnographic value. In 1912 Marianne undertook the design of a tapestry for William Morris. In 1908 she helped with the banners for the Suffragette March on Albert Hall. Marianne Stokes exhibited at the Paris Salon, several times for the Royal Academy, in Munich in 1890, and at the Chicago World's Fair in 1893. Her work can be found today mainly in private collections.

Artworks by Marianne Stokes

39 artworks found
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39 artworks found

Marianne Stokes
Madonna and Child, 1907-08 (temp...
Undated | tempera on panel

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Marianne Stokes
Devaki, Mother of Krishna (tempe...
Undated | tempera and gold paint on paper laid on board

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Marianne Stokes
A Capri Witch, 1884-85
Undated | oil on wood

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Marianne Stokes
The Young Girl and Death, c.1900
19th century | oil on canvas

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Marianne Stokes
Madonna of the Fir Tree, 1925 (t...
1925 | tempera and gilt on gesso on board

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Marianne Stokes
 
Undated |

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Marianne Stokes
Madonna and Child, c.1905 (tempe...
Undated | tempera on panel

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Marianne Stokes
 
Undated |

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Marianne Stokes
The Queen and the Page (""There ...
Undated |

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Marianne Stokes
Portrait of Lady Irene Stokes (n...
Undated | Oil on cardboard

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Marianne Stokes
The Queen and the Page, 1896
1896 | oil on canvas

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Marianne Stokes
In a Field of Buttercups
Undated | oil on canvas

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Marianne Stokes
Mother and Child, c.1899 (temper...
Undated | tempera and gesso on panel

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Marianne Stokes
Angels Entertaining the Holy Chi...
1893 | oil on canvas

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Marianne Stokes
Hail Mary! c.1891 (tempera and g...
Undated | tempera and gold on panel

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Marianne Stokes
St Elizabeth of Hungary Spinning...
1895 |

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Marianne Stokes
 
Undated |

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Marianne Stokes
Homeless, 1885
1885 | oil on canvas

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Marianne Stokes
 
1903 | pencil, chalk and tempera on panel

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Marianne Stokes
Childhoods Treasures, 1886, c193...
1930 |

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Marianne Stokes
Girl of the Tatra, c.1905-07
Undated | Oil on cardboard

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Marianne Stokes
A Slovak Woman at Prayer, Vazcec...
1907 | gouache heightened with white on brown paper

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Marianne Stokes
Childhood"s Treasures, 1886
1886 | oil on canvas

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Marianne Stokes
A Young Slovak (bodycolour on pa...
Undated | bodycolour on paper

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Marianne Stokes
Portrait of a Boy with a Model S...
1893 | oil on canvas

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Marianne Stokes
A Devout Brother of the Order of...
Undated | oil on panel

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Marianne Stokes
Madonna and Child, c.1905 (tempe...
Undated | tempera on panel

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Marianne Stokes
Portrait of a Lady Peeling an Ap...
Undated | tempera on gessoed panel

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Marianne Stokes
Roses
Undated | Oil on cardboard

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Marianne Stokes
Lantern Light, 1888
1888 | oil on canvas

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Marianne Stokes
 
1902 | pencil, chalk and tempera on panel

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Marianne Stokes
Head of a Young Girl in a Fur Ha...
Undated | oil on gesso on board

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Marianne Stokes
Dutch Girl, c.1899 (watercolor o...
Undated | watercolour on paper

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Marianne Stokes
 
1875 |

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Marianne Stokes
An Angel, c1905
1905 | oil painting

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Marianne Stokes
The Weaver: A Cottage Loom in th...
1917 | oil on canvas

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Marianne Stokes
St. Elizabeth of Hungary spinnin...
Undated | oil on canvas

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Marianne Stokes
Portrait of Mrs. Walter Jamesn
1905 |

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Marianne Stokes
Young Girl of Menguszfalva going...
Undated | charcoal and gouache on paper

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About the artist

Marianne Stokes

Marianne Stokes was an Austrian painter who lived and worked in England at the turn of the century with her husband Adrian Strokes, also a painter. The couple traveled extensively and were in close contact with other artists. Marianne Stokes' early, middle, and late work, in addition to a gradual shift away from oil painting toward tempera, shows a gradual change in her choice of subject matter and reveals various influences of contemporary trends. With the paintings for the publication of her trip to Hungary, she also left behind a work of ethnographic expressiveness.

Marianne Stoke's education took her from her native Graz to Munich and Paris. During a stay in 1883 at the Pont-Aven artists' colony, she met Adrian Stokes, whom she married in 1884. The artist couple moved to England, but traveled extensively and frequently sought contact with artist colonies such as St. Ives in Cornwall, where Marianne Stokes became a member of the Newly School, and Skagen, Denmark. Marianne and Adrian were among the driving forces of the art scene; Marianne's work reflects the impression left by her interactions with important artists of the time.

Marianne Stokes began her career in the environment of the Munich School, in the circle of her teacher Wilhelm von Lindenschmitt, Gabriel von Hackl, Otto Seitz and apparently Johann Strauss, who dedicated a polka-mazurka entitled "Light and Shadow" to her in 1875. An early work like "Träumendes Mädchen" from 1875 shows why. A first development towards the genre-like is shown by "Der Milchkrug" from 1884.

In France, the influence of painters such as Jules Bastien Lepage and Jean Francois Millet is noticeable. In this period fall mainly landscapes and genre scenes of rural naturalism such as "On the way to the fields (1885). The paintings created in the environment of the artists' colony on St. Ives and the stay in Skagen are also in this tradition. In "In a Field of Crowfoot," Stoke explores Impressionism in 1890. From the 1890s on, an interest in religious, mythical, and medieval-romantic themes prevails, revealing the influence of the Pre-Raphaelites. An early step in this direction is, for example, "The Frog Prince" after the Brothers Grimm from 1890, exemplified by works such as "Angel Entertains the Holy Child" (1893) or "Aucassin and Nicolette" (1898). Then, from 1895, Stokes turned more and more from oil painting to tempera, for example in "Madonna and Child" (1905). A trip to the Balkans by the couple was documented in 1909 with the book "Hungary", for which Marianne Stokes created pictures of ethnographic value. In 1912 Marianne undertook the design of a tapestry for William Morris. In 1908 she helped with the banners for the Suffragette March on Albert Hall. Marianne Stokes exhibited at the Paris Salon, several times for the Royal Academy, in Munich in 1890, and at the Chicago World's Fair in 1893. Her work can be found today mainly in private collections.



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Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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