James Abbott McNeill Whistler | Page 39

James Abbott McNeill Whistler | Page 39

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James Abbott McNeill Whistler
Old Battersea Bridge, 18791887.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Reading by Lamplight
Undated | Etching and drypoint with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in brown ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Broad Bridge, 1878.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, scraping, and incising, on cream laid paper

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James Abbott McNeill Whistler
The Fan, 1879.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Draped Model, 1870.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
San Biagio, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
King's Road, Chelsea, c. 18861888.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on chine collé

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Bibi Lalouette, 1859.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Putney, No. 1, 1879 (...
1879 | etching on paper

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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Medici Collar.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Etching plate: Eagle Wharf Tyzac...
Undated | etching

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Vrouwen onder een zonnescherm op...
Undated | paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Staircase panel, 1876.
Undated | oil painting

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on grayish white chine, laid down on ivory plate paper

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James Abbott McNeill Whistler
The Velvet Dress Frances Leyland...
1873 | drypoint

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on off-white Japanese paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Regent's Quadrant, 18801881.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Group of travelers, 1858 (pencil...
1858 | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | drypoint on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Visitors Boat, from a set of twe...
1887 | etching

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James Abbott McNeill Whistler
Baden-Baden, 1858 (pencil on off...
1858 | Pencil on off-white wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Tyresmith, 1890.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Mother and Daughter [La Mère Mal...
Undated | Transfer lithograph in black with stumping, on greenish ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on buff China paper laid down on off-white wove paper (chine collé)

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Mother of Pearl and Silver: The ...
Undated | oil on canvas

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James Abbott McNeill Whistler
Eagle Wharf (Tyzac Whiteley and ...
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Limehouse, 1871.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint in black ink on off-white paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching in black ink on off-white China paper laid down on off-white wove paper (chine collé)

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Blue Girl fragment: Purple a...
Undated | oil painting

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James Abbott McNeill Whistler
The Market-place, Vitre, 1893 (l...
1893 | lithograph on paper

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James Abbott McNeill Whistler
 
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Florence Leyland, c. 1873.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | crayon and pastel on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Speke Hall, 1875.
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | oil on canvas

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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in dark brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in brown ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching and drypoint in dark brown on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Nocturne, 1879-1880.
Undated | etching/drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching in black on wove paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint, in brown ink, with scraping, on cream wove proofing paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | lithograph in black on laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph from four stones, in black (keystone), green, yellow, and gray, with scraping, on cream wove Japanese vellum

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Drury Lane Rags, 1888.
Undated | lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Greenwich Pensioner, 1859.
Undated | etching/etching/etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
A Sketch from Billingsgate, 1878...
1878 | drypoint

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James Abbott McNeill Whistler
 
Undated | drypoint

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Butchers Dog, 1896.
Undated | lithograph/lithograph/lithograph

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching and drypoint in brown ink on off-white laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on ivory laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Wine-Glass, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
The Little Venice, 1879-1880.
Undated | etching

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James Abbott McNeill Whistler
From Pickled-Herring Stairs, c18...
1878 | drypoint

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James Abbott McNeill Whistler
[76] Impressions from cancelled ...
Undated | Etchings and drypoints; bound, small folio, half calf, paper: van Gelder

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on cream laid paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Etching plate: Millbank
Undated | copper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Lithotint, in black ink, with scraping and incising, on a prepared half-tint ground, on ivory plate paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
Blue and Silver: Trouville, c.1865
Undated | oil on canvas

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James Abbott McNeill Whistler
 
Undated | Etching with foul biting in black ink on off-white laid paper

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James Abbott McNeill Whistler
 
Undated | etching on paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | black crayon heightened with white (chalk?) on brown paper

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black with stumping, on cream laid Japanese vellum

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James Abbott McNeill Whistler
Sketch of the Peacock Room, 1898
1898 | graphite on cream wove paper

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James Abbott McNeill Whistler
La Mère Gérard, 1858.
Undated | etching

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James Abbott McNeill Whistler
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James Abbott McNeill Whistler
 
Undated | Transfer lithograph in black on tan laid paper

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James Abbott McNeill Whistler
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Page 39 / 47



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Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork.

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Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge – only the shipping costs will apply. You can order the sample set directly.

Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations.


Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Do you have any questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Kärntner Strasse 46
9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · office@meisterdrucke.com
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