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Stefano della Bella
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Museum Quality Art Prints
Individual Customization Options

Stefano della Bella

Italy · 1610–1664 · Baroque · 1849 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Stefano della Bella
1610–1664
Born1610 (Florenz)
Died1664 (Florenz)
NationalityItaly
EpochsBaroque
Professiongraphic artist, painter, draftsperson, etcher, copper engraver
StudentLivio Mehus
MembershipsAccademia delle Arti del Disegno
Notable worksNouvelles inventions de Cartouches (1640), Jeu de la Geographie (1644), Aqua (from les Quatres Elements) (1647), Battle Scene (2nd from Varii Capricci Militari) (1641), Battle Scene (6th from Varii Capricci Militari) (1641)
MuseumsETH Graphische Sammlung, Art Institute of Chicago, Cleveland Museum of Art, National Gallery of Art, Staatliche Kunsthalle Karlsruhe
Stefano della Bella

Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.

Artworks by Stefano della Bella

1849 artworks found
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Stefano della Bella
 
1646 | etching

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Stefano della Bella
Ornamentales Panel mit drei Sphi...
1653 |

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Stefano della Bella
Ignis (Feuer), Blatt 4 der Folge...
1645 |

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Stefano della Bella
Ornamentaler Fries mit zwei je m...
1648 |

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Stefano della Bella
Studium głowy brodatego starca w...
1643 |

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Stefano della Bella
Moorish horseman in profile faci...
Undated | etching

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Stefano della Bella
Various Figures and Landscapes: ...
Undated | etching/etching/etching

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Stefano della Bella
Seestück mit zwei Segel setzende...
1646 |

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Stefano della Bella
Titelblattt der Folge "Sammlung ...
1646 |

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Stefano della Bella
Frau mit Kind sitzt im Schatten ...
1649 |

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Stefano della Bella
Geigenspieler, Blatt 6 der Folge...
1649 |

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Stefano della Bella
Black slave carries a leopard pe...
Undated | etching

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Stefano della Bella
Studie eines stehenden jungen Ma...
1649 |

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Stefano della Bella
Beladen verschiedener Schiffe (D...
Undated |

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Stefano della Bella
Gefecht auf hoher See, Blatt 5 d...
1638 |

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Stefano della Bella
A Black Man Feeding a Horse, ca....
Undated | etching/etching

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Stefano della Bella
Beladen verschiedener Schiffe (D...
Undated |

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Stefano della Bella
Verschiedene Figuren (Varie figu...
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Stefano della Bella
Nach rechts schreitende Bäuerin,...
1649 |

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Stefano della Bella
Ansichten von Seehäfen (Vues de ...
Undated |

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Stefano della Bella
Links eine Galere, rechts drei G...
1646 |

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Stefano della Bella
Four Turks and a Black Man, ca. ...
Undated | etching/etching

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Stefano della Bella
Frieden und Krieg (Et pace et be...
Undated |

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Stefano della Bella
Moor in a Turban Trimmed with Fi...
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Stefano della Bella
 
1657 | Black chalk with pink and gray washes

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Stefano della Bella
Frieden und Krieg (Et pace et be...
Undated |

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Stefano della Bella
Seestücke (Paysages maritimes): ...
Undated |

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Stefano della Bella
Zwei Reisende und ein Mädchen au...
1652 |

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Stefano della Bella
Militärzug, Blatt 2 der Folge "F...
1638 |

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Stefano della Bella
Frieden und Krieg (Et pace et be...
Undated |

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Stefano della Bella
Moorish horseman in profile faci...
Undated | etching/etching

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Stefano della Bella
Ansichten von Seehäfen (Vues de ...
Undated |

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Stefano della Bella
Bearded Moor in a Feathered Turb...
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Stefano della Bella
A seated white sailor and a stan...
Undated | etching

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Stefano della Bella
Young Moor with a Slight Beard a...
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Stefano della Bella
Zwei Adler bei einer Felswand, B...
1639 |

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Stefano della Bella
Johannes der Täufer als Knabe, s...
1641 |

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Stefano della Bella
Seestücke (Paysages maritimes): ...
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Stefano della Bella
Kartusche mit zwei sich küssende...
1646 |

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Stefano della Bella
Satyrvater und Kind mit Ziege
1641 |

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Stefano della Bella
Beladen verschiedener Schiffe (D...
Undated |

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Stefano della Bella
Aqua (Wasser), Blatt 2 der Folge...
1645 |

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Stefano della Bella
Frauen beobachten die Badenden, ...
1649 |

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Stefano della Bella
Titelblatt der Folge "Frieden un...
1642 |

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Stefano della Bella
Black Groom with an Arabian Hors...
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Stefano della Bella
Ansichten von Seehäfen (Vues de ...
Undated |

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Stefano della Bella
 
Undated | etching on laid paper

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Stefano della Bella
Verirrter Reiter fragt nach dem ...
1649 |

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Stefano della Bella
Young Moor in a Feathered Turban...
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Stefano della Bella
A Seated White Sailor, A Standin...
Undated | etching

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Stefano della Bella
Kind trägt einen Welpen auf sein...
1660 |

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Stefano della Bella
Drie mannen pratend op de kade ...
Undated | paper

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Stefano della Bella
Dido Killing Herself, ca. 1660.
Undated | etching/etching

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Stefano della Bella
A Moorish horseman facing the le...
Undated | etching/etching

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Stefano della Bella
Titelblatt der Folge "Frieden un...
1638 |

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Stefano della Bella
A black sailor standing to left,...
1658 | etching/etching

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Stefano della Bella
 
Undated |

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Stefano della Bella
Various Figures and Landscapes: ...
1649 | etching

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Stefano della Bella
Zwei Pikeniere
1642 |

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Israël Henriet
 
1641 | etching

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Stefano della Bella
Einsteigen in eine Galeere, Blat...
1646 |

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Israël Henriet
Book for Learning to Draw (Livre...
Undated |

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Stefano della Bella
Beladen verschiedener Schiffe (D...
Undated |

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Stefano della Bella
Study of a Moor, Facing to the L...
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Stefano della Bella
Kartusche mit drei Satyrn und ei...
1646 |

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Stefano della Bella
Reitergefecht, Blatt 4 der Folge...
1646 |

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Stefano della Bella
Hercules and Deianira, from Game...
Undated | etching

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Stefano della Bella
Bauer treibt seine Tiere nach li...
1643 |

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Stefano della Bella
Plate 10: elephant, from Various...
Undated | etching

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Stefano della Bella
Reitergefecht
1642 |

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Stefano della Bella
Zwei Reisende und ein Mädchen au...
1652 |

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Stefano della Bella
A mule carrying a woman and a pe...
Undated | etching/etching

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Stefano della Bella
Reitschule, Blatt 5 der Folge "V...
1646 |

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Stefano della Bella
Hippomenes and Atalanta, from 'G...
Undated | etching

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Stefano della Bella
Hirtin zu Pferd mit Kuh- und Sch...
1643 |

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Stefano della Bella
Hoofd van een oude man met baard...
Undated | paper

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Stefano della Bella
Plate 12, from "Desseins de Quel...
1664 | Medium: silk Technique: cut supplementary warp pile (velvet) in a 3/1 twill foundation

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Stefano della Bella
Titelblatt der Folge "Frieden un...
1642 |

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Stefano della Bella
Zwei Frauen mit einer Kuhherde b...
1643 |

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Stefano della Bella
America, from 'Game of Geography...
Undated | etching/etching

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Stefano della Bella
Cartouche with Title: Nouvelles ...
Undated | etching

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Stefano della Bella
 
Undated | etching on laid paper

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Stefano della Bella
Esctucheons and Details for Escu...
1648 | Etching, red crayon on paper

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Stefano della Bella
Ornamentaler Fries mit nacktem K...
1648 |

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Stefano della Bella
Alter Türke mit Mantel und Turba...
1660 |

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Stefano della Bella
Mauritanie, 1644.
1644 | etching

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Stefano della Bella
The Temple of Vespasian and the ...
Undated | etching

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Stefano della Bella
Artilleriefeuer, Blatt 6 der Fol...
1641 |

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Stefano della Bella
Various Figures and Landscapes: ...
1649 | etching

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Stefano della Bella
Clovis und Clotilde
1657 |

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Stefano della Bella
Sultana wearing a turban, in pro...
Undated | etching

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Stefano della Bella
Two studies for a composition of...
1664 | pen and brown ink

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Stefano della Bella
Junger Sklave mit einem Kamel am...
1649 |

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About the artist

Stefano della Bella
Stefano della Bella
1610–1664
Born1610 (Florenz)
Died1664 (Florenz)
NationalityItaly
EpochsBaroque
Professiongraphic artist, painter, draftsperson, etcher, copper engraver
StudentLivio Mehus
MembershipsAccademia delle Arti del Disegno
Notable worksNouvelles inventions de Cartouches (1640), Jeu de la Geographie (1644), Aqua (from les Quatres Elements) (1647), Battle Scene (2nd from Varii Capricci Militari) (1641), Battle Scene (6th from Varii Capricci Militari) (1641)
MuseumsETH Graphische Sammlung, Art Institute of Chicago, Cleveland Museum of Art, National Gallery of Art, Staatliche Kunsthalle Karlsruhe

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.



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Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


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