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Feel the passion of Stefano della Bella in our art prints.

Our art reproductions bring moments of comfort and joy right into your home.

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Stefano della Bella
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Museum Quality Art Prints
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Museum Quality Art Prints
Individual Customization Options
Stefano della Bella

Stefano della Bella

    18 May 1610   -   July 16, 1664
Nonclassified artists   •   Wikipedia: Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.

Stefano della Bella

    18 May 1610   -   July 16, 1664
Nonclassified artists   •   Wikipedia: Stefano della Bella Stefano della Bella

The Florentine Stefano della Bella was an important draughtsman and etcher of the 17th century. His works have influenced many European artists. As a child he learned to draw and the art of engraving from a goldsmith in Florence. In the following years he copied works by Jacques Callot, among others. The artist came from Nancy in Lorraine. Callot was known for his drawings and etchings which he made for the court of the Medici family. Remigio Cantagallina, Jacques Callot's teacher, taught Stefano della Bella and supported his education. della Bella's work was strongly influenced by Callots masterly figurative representations. Stefano della Bella expanded his artistic skills in various studios in Florence. Besides drawing, he also devoted himself to painting. Callots teacher put him in contact with Cesare Dandini, who gave Stefano della Bella additional training in the art of painting. In 1632 della Bella created the figure of Copernicus for the edition Dialogo sopra i due massimi sistemi by Galileo Galilei. Today's art historians suspect that the artist did not create an individual portrait, but an archetype. He drew Copernicus in the posture of a scholar typical of the time.

Stefano della Bella was given the opportunity to work in Rome by the de Medici family, where he also distinguished himself through his exceptional skills. He deepened his knowledge of painting and made numerous etchings. Masterly views of Rome, Tivoli and the Roman Campagna were created. Della Bella captured Roman ruins and interesting street scenes in his drawings. He also created sea views and his first topographical works. Finally, the artist took the special opportunity to join a legation travelling to the French court. The legation sent official congratulations on the birth of the future Sun King Louis XIV. Della Bella was commissioned by Cardinal Richelieu to paint a representation of the besieged city of Arras. This was the prelude to further architectural views of the artist. della Bella also made drawings and etchings for the theatre. For example, he designed the title page for the opera La Finta Pazza and drew ballets of animals that appeared between the scenes.

Della Bella created more than a thousand drawings and etchings during his life. His motifs were war battles, military depictions and hunting scenes. He also produced maps, sea charts and realistic depictions of animals. His drawing of an elephant dying in Florence is still known today. della Bella's work also includes entertaining capriccios. The playful drawings were first introduced to the art of etching by Jacques Callot. The highlight of della Bella's creative power was his honorary admission to the Accademia degli Apasti, an important literary circle in Florence. Stefano della Bella spent the last years of his life in Florence, where he gave drawing lessons to the son of the Grand Duke of Tuscany. The artist died in 1664 in his home town.

Artworks by Stefano della Bella

Artworks by Stefano della Bella

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Stefano della Bella
Jupiter and Danäe, from Game of ...
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Stefano della Bella
Portrait Bust of Man Wearing Cra...
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Stefano della Bella
 
1658 | etching on cream laid paper

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Stefano della Bella
Five Groups of Acrobats, 1652.
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Stefano della Bella
Vertrek van een galeischip in de...
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Stefano della Bella
 
1657 | Pen and brown ink and graphite (recto and verso) on ivory laid paper

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Stefano della Bella
 
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Stefano della Bella
 
1647 | Red chalk and pen and black ink on buff laid paper, laid down on ivory wove paper

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Stefano della Bella
Le Nozze degli Dei: Frontispiece
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Stefano della Bella
 
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Stefano della Bella
 
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Stefano della Bella
America, from 'Game of Geography...
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Stefano della Bella
Collection of Various Caprices a...
1646 | etching

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Stefano della Bella
 
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Stefano della Bella
 
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Stefano della Bella
 
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Stefano della Bella
La Mort sur un champ du bataille
1664 | engraving

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Stefano della Bella
Various Figures and Landscapes: ...
1649 | etching

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Israël Henriet
Book for Learning to Draw (Livre...
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Stefano della Bella
 
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Stefano della Bella
Tempel der Concordia und das For...
1656 |

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Stefano della Bella
Zwei Hirten bei ihrer Herde in e...
1643 |

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Stefano della Bella
 
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Stefano della Bella
 
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Stefano della Bella
Le départ d'une Galère
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Stefano della Bella
Title Page for "Divers paysages"
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Stefano della Bella
Twee adelaars met koppen naar re...
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Stefano della Bella
 
Undated | etching with revisions in black chalk and brown wash on laid paper

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Stefano della Bella
Hercules and Deianira, from Game...
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Israël Henriet
 
1641 | etching

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Stefano della Bella
Galley Slave Hauling a Ship's Ca...
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Stefano della Bella
 
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Stefano della Bella
Head of a Bald and Bearded Old M...
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Stefano della Bella
 
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Stefano della Bella
Hoofd van een kale oude man met ...
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Stefano della Bella
Studie eines stehenden jungen Ma...
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Stefano della Bella
Two Eagles, One Eating a Small L...
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Stefano della Bella
Departure of a galley at the Por...
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Stefano della Bella
 
Undated | pen and brown, iron gall ink with gray wash over black chalk on laid paper

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Stefano della Bella
Verschiedene Kopfstudien und zwe...
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Stefano della Bella
 
Undated | etching and engraving

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Stefano della Bella
The Cannon, c. 1641.
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Stefano della Bella
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Stefano della Bella
Female Satyr Nursing a Child in ...
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Stefano della Bella
Il cinghiale si dirige verso des...
1637 | engraving

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Stefano della Bella
Four Horsemen, 162730.
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Stefano della Bella
Verschiedene Kopfstudien, rechts...
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Stefano della Bella
Begrafenis van Francesco II de' ...
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Stefano della Bella
Plate 11: a peasant wearing a ha...
1641 | etching

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Stefano della Bella
 
Undated | etching on laid paper

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Stefano della Bella
 
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Stefano della Bella
 
Undated | pen and brown ink on laid paper

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Stefano della Bella
Pygmalion, from Game of Mytholog...
1644 | etching/etching

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Stefano della Bella
 
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Stefano della Bella
Zwei Pilger vor einer Ruine, im ...
1643 |

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Stefano della Bella
Houses Overlooking a Port, from ...
1654 | etching on paper

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Stefano della Bella
Hoofd van een jongeman, rechts n...
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Stefano della Bella
Plate 21: horse, from Various an...
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Stefano della Bella
A horseman, a cow, and a sleepin...
1664 | Graphite, pen and brown ink. Backed

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Stefano della Bella
Collection of Various Caprices a...
1646 | etching

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Stefano della Bella
Riderless horse, with riders doi...
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Stefano della Bella
Saint James the Great.
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Stefano della Bella
 
1647 | hanging scroll; ink on paper

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Stefano della Bella
Deer Chased by Two Cavaliers.
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Stefano della Bella
 
1654 | etching on ivory laid paper

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Stefano della Bella
Sketches of Child Praying, Two M...
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Stefano della Bella
 
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Stefano della Bella
 
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Stefano della Bella
Various Figures and Landscapes: ...
1649 | etching

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Stefano della Bella
Caprices: Seated Beggar
1642 | etching

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Stefano della Bella
A Seated White Sailor, A Standin...
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Stefano della Bella
Two Camel Heads, ca. 1641.
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Stefano della Bella
 
Undated | pen and brown ink on laid paper

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Stefano della Bella
 
Undated | etching on laid paper

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Stefano della Bella
 
1645 |

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Stefano della Bella
Views of the Villa of Pratolino:...
1653 | etching

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Stefano della Bella
Polish man with a mustache weari...
Undated | etching/etching

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Stefano della Bella
Mercury and Argus, from Game of ...
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Stefano della Bella
Death on a Horse, study for the ...
Undated | Pen and brown ink and grey wash

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Stefano della Bella
 
Undated | pen and brown ink and gray wash

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Stefano della Bella
 
Undated | pen and brown ink on laid paper

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Stefano della Bella
Two Children Embracing [upper ha...
Undated | two etchings on one sheet of laid paper [restrikes]

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Stefano della Bella
Various Figures and Landscapes: ...
1649 | etching

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Stefano della Bella
 
Undated | etching on laid paper [restrike]

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Stefano della Bella
Plate 9: bust of Minerva, wearin...
1650 | etching/etching

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Stefano della Bella
 
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Stefano della Bella
Standing Sailor Talking with a S...
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Stefano della Bella
The Flight into Egypt [verso].
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Stefano della Bella
 
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Stefano della Bella
A Turkish man with a beard and t...
1650 | etching

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Stefano della Bella
Afrikanischer und europäischer M...
1630 |

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Stefano della Bella
The Death on the Battlefield, Be...
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Stefano della Bella
 
Undated | etching

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Stefano della Bella
 
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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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