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Edwin Austin Abbey
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Museum Quality Art Prints
Individual Customization Options

Edwin Austin Abbey

United States of America · 1852–1911 · Illustration · 1482 artworks found
Our art reproductions bring moments of comfort and joy right into your home. more about the artist
Edwin Austin Abbey
1852–1911
BornApril 1, 1852 (Philadelphia)
DiedAugust 1, 1911 (London) at the age of 59
NationalityUnited States of America
EpochsIllustration
Genreportrait
Professionpainter, illustrator, architect
Family
Spouse: Mary Gertrude Mead
TeacherChristian Schussele
MembershipsAmerican Academy of Arts and Letters, Royal Academy of Arts, Royal Watercolour Society
Notable worksThe Apotheosis of Pennsylvania. (1911), The Coronation of King Edward VII (1841-1910) (1904), It Is My Instrument You Want? (1880), Coming Suddenly upon the Priest, She Was Evidently Quite Terrified (1879), My Phyllida (1882)
MuseumsPrinceton University Art Museum, Metropolitan Museum of Art, Smithsonian American Art Museum, National Gallery of Art, Smithsonian Institution
Edwin Austin Abbey

Edwin Austin Abbey

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.

Artworks by Edwin Austin Abbey

1482 artworks found
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Edwin Austin Abbey
Who Is Sylvia What Is She, That ...
1896 | oil on canvas

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Edwin Austin Abbey
 
Undated | Oil with applied gold leaf on wood panel

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Edwin Austin Abbey
Sketch of a tree
Undated | Black chalk, watercolor, White wove

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Edwin Austin Abbey
Coronation of Edward VII portrai...
Undated | pastel

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Edwin Austin Abbey
Who Is Sylvia? What Is She, That...
1896 | oil on canvas

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Edwin Austin Abbey
Head of man, Coronation of Edwar...
Undated | Pastel on brown paper

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Edwin Austin Abbey
Three men, study for Taming of t...
Undated | Black and white chalks, Brown wove

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Edwin Austin Abbey
Figure study for the Seven Deadl...
Undated | Black chalk, squared in graphite, Green wove

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Edwin Austin Abbey
 
Undated | Pastel on blue paper

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Edwin Austin Abbey
Bourg & Bribun Cliffs, Mull (?) ...
Undated | Watercolor, Wove

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Edwin Austin Abbey
Study for hands of the figure of...
Undated | Black and white chalks, Black wove

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Edwin Austin Abbey
 
Undated | Pastel on grey paper

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Edwin Austin Abbey
 
Undated | Pen and ink, Cream wove

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Edwin Austin Abbey
 
Undated | Graphite and ink wash (recto); graphite (verso)

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Edwin Austin Abbey
Study for figure of 11 pm(?) in
Undated | Graphite, cream wove

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Edwin Austin Abbey
 
Undated | Black chalk, watercolor, pen and ink, with fabric on wove paper

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Edwin Austin Abbey
 
Undated | Watercolor, Grey-blue laid, mounted down

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Edwin Austin Abbey
Study for figure of 5 am(?) in
Undated | Black, white, and red chalks, Brown wove

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Edwin Austin Abbey
 
Undated | Black and white chalks, Light brown wove

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Edwin Austin Abbey
Preliminary study for Othello (?)
Undated | Pen and ink, White wove

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Edwin Austin Abbey
Study for Science Discovering th...
Undated | Charcoal and chalk on speckled grey/brown paper

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Edwin Austin Abbey
Four boys playing marbles (recto...
Undated | Graphite and ink wash (recto); ink wash (verso)

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Edwin Austin Abbey
 
Undated | Pastel, Grey wove

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Edwin Austin Abbey
Sttudy of figure of 6 pm, for Th...
Undated | Black and red chalks

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Edwin Austin Abbey
Study of Sir Galahad, for one of...
Undated | Black chalk, Light brown wove

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Edwin Austin Abbey
 
Undated | oil and graphite on canvas

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Edwin Austin Abbey
 
Undated | Black chalk heightened with white on green paper

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Edwin Austin Abbey
 
Undated | Charcoal, red and white chalk on grey paper

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Edwin Austin Abbey
 
Undated | pastel

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Edwin Austin Abbey
 
Undated | Charcoal and chalk on grey paper

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Edwin Austin Abbey
Friar Laurence:
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Figure studies for the Knighting...
Undated | Black chalk, Blue laid

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Edwin Austin Abbey
Coronation of Edward VII Portrai...
Undated | Pastel, Green wove

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Edwin Austin Abbey
Sketch of a woman - costume stud...
Undated | Graphite, watercolor, Wove

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Edwin Austin Abbey
Sketch of Continental Iron Works...
Undated | Graphite, Green wove

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Edwin Austin Abbey
 
Undated | Charcoal and chalk on grey paper

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Edwin Austin Abbey
Unidentified sketch - landscape (?)
Undated | Watercolor, Heavy wove

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Edwin Austin Abbey
Figure study for the figure of F...
Undated | Gouache, Green wove

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Edwin Austin Abbey
Study for the figure of 4 am(?) in
Undated | Black and white chalks, Green laid

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Edwin Austin Abbey
The Achievement of the Grail, st...
Undated | Black chalk, Wove

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Edwin Austin Abbey
 
Undated | Charcoal and chalk on dark grey paper

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Edwin Austin Abbey
Figure study for
Undated | Graphite, cream wove

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Edwin Austin Abbey
Study of an angel (for stained g...
Undated | Pen and ink, Brown wove

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Edwin Austin Abbey
 
Undated | Graphite, watercolor, gouache, with fabric on wove paper

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Edwin Austin Abbey
Figure study for the Castle of t...
Undated | Black and white chalks, Light brown laid

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Edwin Austin Abbey
Marriage Morning of Theseus and ...
Undated | Pen and ink, Composition board

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Edwin Austin Abbey
Sketch of a knight in armor
Undated | Pen and ink, graphite, Wove

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Edwin Austin Abbey
Mariana and boy singing - Act II...
Undated | Oil on board, Board

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Edwin Austin Abbey
Sketch of a woman - costume stud...
Undated | Graphite, watercolor, Wove

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Edwin Austin Abbey
Sketch of figures around a table...
Undated | Pen and ink, graphite, Composition board

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Edwin Austin Abbey
Figure study for Sir Lancelot an...
Undated | Black and white chalks, Cream laid

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Edwin Austin Abbey
Group of figures - (unidentified...
Undated | Black chalk, Wove

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Edwin Austin Abbey
Study for figure of Religion ron...
Undated | Black and white chalks, squared in black chalk, Dark green wove

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Edwin Austin Abbey
 
Undated | Charcoal and chalk on grey paper

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Edwin Austin Abbey
Hamlet:
Undated | Opaque and transparent watercolor with graphite underdrawing on superfine London white wove paper,overall adhered to two layers of 4 ply cardboard, framed and glazed( gold frame)

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Edwin Austin Abbey
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Edwin Austin Abbey
Figure study for Sir Lancelot an...
Undated | Black and white chalks, Light brown laid

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Edwin Austin Abbey
Seated nude female figure.
Undated | Charcoal, pastel on brown paper

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Edwin Austin Abbey
Sketch of a man - costume study ...
Undated | Graphite, watercolor; graphite (verso), Cardstock

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Edwin Austin Abbey
Study for Lady Anne, for King Ri...
Undated | Black chalk, green laid

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Edwin Austin Abbey
Study of an angel (for stained g...
Undated | Graphite, Wove

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Edwin Austin Abbey
Interior Study: Rothenburg, stud...
Undated | Pencil, White wove

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Edwin Austin Abbey
Men in rowboat fleeing Indians o...
Undated | Pen and ink wash and graphite on wove paper

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Edwin Austin Abbey
Men at an Anvil, study for The S...
1904 | oil on canvas

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Edwin Austin Abbey
 
Undated | Graphite, Brown wove

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Edwin Austin Abbey
 
Undated | Watercolor, pen and ink, with fabric

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Edwin Austin Abbey
 
Undated | Pen and ink over graphite underdrawing, on composition board

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Edwin Austin Abbey
 
Undated | Pen and ink, Laid (on half a notepaper - the other half being 1937.3091)

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Edwin Austin Abbey
Figure study for
Undated | Black chalk, Wove

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Page 1 / 15

About the artist

Edwin Austin Abbey
Edwin Austin Abbey
1852–1911
BornApril 1, 1852 (Philadelphia)
DiedAugust 1, 1911 (London) at the age of 59
NationalityUnited States of America
EpochsIllustration
Genreportrait
Professionpainter, illustrator, architect
Family
Spouse: Mary Gertrude Mead
TeacherChristian Schussele
MembershipsAmerican Academy of Arts and Letters, Royal Academy of Arts, Royal Watercolour Society
Notable worksThe Apotheosis of Pennsylvania. (1911), The Coronation of King Edward VII (1841-1910) (1904), It Is My Instrument You Want? (1880), Coming Suddenly upon the Priest, She Was Evidently Quite Terrified (1879), My Phyllida (1882)
MuseumsPrinceton University Art Museum, Metropolitan Museum of Art, Smithsonian American Art Museum, National Gallery of Art, Smithsonian Institution

Edwin Austin Abbey, born in Philadelphia on April 1, 1852, was an artist whose career unfolds before us like a colorful painting. His artistic development began with simple illustrations for magazines such as Harper's Weekly and Scribner's Magazine. His creative line was influenced by European black and white art, and his skills grew visibly as he illustrated the works of Charles Dickens, Robert Herrick, and Oliver Goldsmith. With these works, Abbey proved that he was as skilled with a pen as other artists were with a brush.

In 1878, at the request of his employers, Abbey moved to England to illustrate the poetry of Robert Herrick. His illustrations were so successful that he eventually settled in England. In 1883, he was elected to the prestigious Royal Institute of Painters in Water-Colors. It was around this time that Abbey began to become known for his paintings as well. His watercolor "The Evil Eye" and other works such as "The Rose in October," "An Old Song," "The Visitors," and "The Jongleur" have lost none of their original magic to this day. Abbey also created wonderful pastels such as "Beatrice," "Phyllis," and "Two Noble Kinsmen," which demonstrate his extraordinary ability to master the gentle tones of this technique. Abbey first showcased his skills with oils in 1890 with his painting "A May Day Morn." His participation in the Royal Academy in London marked an important milestone in his career. Equally notable was his commission of the painting for the coronation of King Edward VII in 1901, which earned him well-deserved recognition.

The 1890s took Abbey to the Boston Public Library, where he created an impressive series of murals. The series, depicting "The Quest and Attainment of the Holy Grail," was a massive undertaking that took Abbey eleven years to complete in his English studio. It was a true masterpiece that continues to impress visitors to the library today with its ingenuity and perfect craftsmanship. An art print of one of his works from this series would certainly enhance any home or office. Another project Abbey undertook was the creation of a series of murals and artwork for the Pennsylvania State Capitol in Harrisburg, Pennsylvania. This ambitious project, begun in 1908, presented the ultimate challenge to his artistic abilities. Unfortunately, his health deteriorated at this time and he was unable to complete all of the works himself. Edwin Austin Abbey left an impressive artistic legacy. His works are exhibited in many prestigious museums, including the Metropolitan Museum of Art in New York and the Museum of Fine Arts in Boston. Although Abbey is no longer with us, his presence remains in the masterpieces he left behind. He is proof that true art can transcend time and space, touching the hearts and souls of people long after the artist's death.



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Frequently Asked Questions about Meisterdrucke


Personalizing your art print at Meisterdrucke is simple and intuitive: Choose a frame, set the image size, pick a printing medium, and add suitable glazing or a stretcher frame. We also offer additional customization options like mats, fillets, and spacers. If you have any questions, our customer service team is ready to help you create your perfect artwork.

At Meisterdrucke, you can visualize your configured artwork directly in your own room. Simply upload a photo of your space and see how the artwork looks in it. If you're visiting us on a mobile device — phone or tablet — our augmented reality feature brings the picture to life and projects it right into your room. A unique experience that combines art and technology.

Choosing the right medium is often a matter of personal taste. To give you a better idea, we've provided some images for each medium. We also offer a sample set of all paper variants, so you can decide not just visually but by touch as well. You can order the sample set free of charge — only shipping costs apply.

Don't worry! At Meisterdrucke, we don't just process orders mechanically. Every order is manually reviewed by our team. If we spot any inconsistencies or issues with your configuration, we'll get in touch with you right away. And of course, our friendly and patient support team is always here to help you with your configuration. We'll work with you by phone or email to adjust your image so the final result is exactly what you had in mind.


Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00

Still have questions?

Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order?

Our experts are happy to assist you.

+43 4257 29415
support@meisterdrucke.com
Mo-Do: 7:00 - 16:00 | Fr: 7:00 - 13:00


Meisterdrucke

   Kärntner Strasse 46
        9586 Finkenstein am Faaker See
        Austria
        +43 4257 29415
        support@meisterdrucke.com
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Meisterdrucke
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9586 Finkenstein am Faaker See · Austria
+43 4257 29415 · support@meisterdrucke.com
Post.at DHL Express Quehenberger Cargoboard


               

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