Painting Frames Liya

Painting Frames "Liya"

Gold • Serie: Sofia • Width: 63mm • Height: 38mm
Gold frames, which rather represent a frame and can almost be counted as a feat, are models like Liya. This frame was designed by designers from the Sofia frame series. Even the dimensions of the real wood bar come majestically at 38 mm in height and a proud 63 mm in width. The gold used for this model is reminiscent of a rose gold that shines like rose from the walls where it is supposed to find its place. And that will be many, because hardly any art connoisseur can escape the immense charm of this wide gold frame. It is equipped with two narrow strips at the top and two thin strips are also incorporated in the lower area towards the inside of the picture. In between, there is the broad, ornamental middle bar that attracts everyone's attention with its round-shaped tendril structures that are applied to a pearlescent surface. The tendrils themselves are colored in shiny rose gold, which is repeated on the narrow end strips. The designers have incorporated a real glittering piece in rose gold, so that these elements shine particularly strongly. Luster and gloria can also often be found in art, so it will be easy for the owner of Liya to find an adequate work of art.
 1
Painting Frames Liya

Painting Frames "Liya"

Gold • Serie: Sofia • Width: 63mm • Height: 38mm
Gold frames, which rather represent a frame and can almost be counted as a feat, are models like Liya. This frame was designed by designers from the Sofia frame series. Even the dimensions of the real wood bar come majestically at 38 mm in height and a proud 63 mm in width. The gold used for this model is reminiscent of a rose gold that shines like rose from the walls where it is supposed to find its place. And that will be many, because hardly any art connoisseur can escape the immense charm of this wide gold frame. It is equipped with two narrow strips at the top and two thin strips are also incorporated in the lower area towards the inside of the picture. In between, there is the broad, ornamental middle bar that attracts everyone's attention with its round-shaped tendril structures that are applied to a pearlescent surface. The tendrils themselves are colored in shiny rose gold, which is repeated on the narrow end strips. The designers have incorporated a real glittering piece in rose gold, so that these elements shine particularly strongly. Luster and gloria can also often be found in art, so it will be easy for the owner of Liya to find an adequate work of art.
 1
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Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Excerpt from our top sellers
The Deluge Cotopaxi Sitting woman with raised knee Yellow Red Blue Soft Hard A Lake by Moonlight, c.1780-82 The Redoutable at Trafalgar, 21st October 1805 Three Women and Three Wolves Geography of Plants in Tropical Countries, A Study of the Andes, drawn by Schoenberger and Turpin, printed by Langlois, Paris Wilmots Early Violet Plum Japanese Toilet, c.1880 Marie Therese Louise of Savoy-Carignan (1749-92) Princess of Lamballe, 1767 (pencil, wc and gouache on paper) Advertising poster by Alphonse Mucha (1860-1939) for the Cognac Bisquit, Dubouche, 1899 - Advertising poster by Alphonse Mucha for “Cognac Bisquit, Dubouche” , 1899 Sun 61x32 cm Private collection Pjotr Tibet. Himalayas, 1933
Excerpt from our top sellers
The Deluge Cotopaxi Sitting woman with raised knee Yellow Red Blue Soft Hard A Lake by Moonlight, c.1780-82 The Redoutable at Trafalgar, 21st October 1805 Three Women and Three Wolves Geography of Plants in Tropical Countries, A Study of the Andes, drawn by Schoenberger and Turpin, printed by Langlois, Paris Wilmots Early Violet Plum Japanese Toilet, c.1880 Marie Therese Louise of Savoy-Carignan (1749-92) Princess of Lamballe, 1767 (pencil, wc and gouache on paper) Advertising poster by Alphonse Mucha (1860-1939) for the Cognac Bisquit, Dubouche, 1899 - Advertising poster by Alphonse Mucha for “Cognac Bisquit, Dubouche” , 1899 Sun 61x32 cm Private collection Pjotr Tibet. Himalayas, 1933

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