Painting Frames Fabienne

Painting Frames "Fabienne"

Gold • Serie: Biltmore • Width: 103mm • Height: 58mm
The gold frame Fabienne is unbeatable in its full width. The real wood bar was awarded a whole 103 mm by its makers, on which they in turn could let off steam with their design ideas. And they took advantage of that, because in his ornamentation he has been provided with many different creations. Fabienne was divided into four last sections. The collection of ornaments begins very narrowly at the outer end of the frame. Small thick curves whirl around wildly and yet form a kind of chain that frames the overall frame. This is followed by the highest elevation of the wood with 58 mm as an ornamental bar that swings upwards. Circular tendrils alternate with lily flowers - a symmetry that inspires the viewer. A large part of the frame is occupied by the following bar, which is kept simple and slides inwards in a concave shape. Hardly visible and yet effectively follows a narrow, rounded bar that clears the way for the next ornament border. One above the other, transverse palmette elements form a wonderful structure on this inner bar before three delicate bars finally round off the frame. This spectacle of design is reproduced in a natural gold, which gives the frame with wine-red elements an antique character.
 1
Painting Frames Fabienne

Painting Frames "Fabienne"

Gold • Serie: Biltmore • Width: 103mm • Height: 58mm
The gold frame Fabienne is unbeatable in its full width. The real wood bar was awarded a whole 103 mm by its makers, on which they in turn could let off steam with their design ideas. And they took advantage of that, because in his ornamentation he has been provided with many different creations. Fabienne was divided into four last sections. The collection of ornaments begins very narrowly at the outer end of the frame. Small thick curves whirl around wildly and yet form a kind of chain that frames the overall frame. This is followed by the highest elevation of the wood with 58 mm as an ornamental bar that swings upwards. Circular tendrils alternate with lily flowers - a symmetry that inspires the viewer. A large part of the frame is occupied by the following bar, which is kept simple and slides inwards in a concave shape. Hardly visible and yet effectively follows a narrow, rounded bar that clears the way for the next ornament border. One above the other, transverse palmette elements form a wonderful structure on this inner bar before three delicate bars finally round off the frame. This spectacle of design is reproduced in a natural gold, which gives the frame with wine-red elements an antique character.
 1
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Excerpt from our top sellers
Reclining Woman Bauerngarten Frederic Chopin (1810-1849) 1838 The Table in the Sun in the Garden, Gerberoy, c.1911 Two Cut Sunflowers Pharaohs Handmaidens Nude with a Striped Blanket, 1922 Asakusa Rice Fields and Festival of Torinomachi from the Series One Hundred Famous Views of Edo, 1857 (colour woodblock print) Waterlilies, 1914-17  (see detail 382337) Nude Woman in Bed, c.1914  Snap the Whip, 1872 Intersecting Lines, 1923 French nude model Arnaut bodyguards in Cairo, 1861 a Sunny Winter&39;s Day 2
Excerpt from our top sellers
Reclining Woman Bauerngarten Frederic Chopin (1810-1849) 1838 The Table in the Sun in the Garden, Gerberoy, c.1911 Two Cut Sunflowers Pharaohs Handmaidens Nude with a Striped Blanket, 1922 Asakusa Rice Fields and Festival of Torinomachi from the Series One Hundred Famous Views of Edo, 1857 (colour woodblock print) Waterlilies, 1914-17  (see detail 382337) Nude Woman in Bed, c.1914  Snap the Whip, 1872 Intersecting Lines, 1923 French nude model Arnaut bodyguards in Cairo, 1861 a Sunny Winter&39;s Day 2

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