Painting Frames Annelie

Painting Frames "Annelie"

Blau mit Goldmaserung • Serie: Ambiente • Width: 66mm • Height: 32mm
The frame series Ambiente presents an imposing gold frame with the model Annelie. While the highest point protrudes into the room at 32 mm, the overall width in the front view is a strong 66 mm. In this area, the designers worked with a lot of gold paint, to which they added further color accents. Further roles are played here by a wine red and a dark royal blue. The gold occurs on all three frame parts, the outer and the inner bar are each in shiny gold. Both borders are quite narrow, rounded and give the main part an adequate upper and lower limit. The main bar has received the dark blue from the designers. Royal blends with the shiny gold on the smooth, domed surface. This was laid on the blue in the form of a grain. As if applied with a sponge, it is only a subtle addition, so that the blue comes into its own. The gold grain seems to combine optically with the two gold bars. These, in turn, were given a wine red grain. But here, too, it was used cautiously, so that the wine red on the gold strips behaves just like stains that an antique age of the frame suggests.
 1
Painting Frames Annelie

Painting Frames "Annelie"

Blau mit Goldmaserung • Serie: Ambiente • Width: 66mm • Height: 32mm
The frame series Ambiente presents an imposing gold frame with the model Annelie. While the highest point protrudes into the room at 32 mm, the overall width in the front view is a strong 66 mm. In this area, the designers worked with a lot of gold paint, to which they added further color accents. Further roles are played here by a wine red and a dark royal blue. The gold occurs on all three frame parts, the outer and the inner bar are each in shiny gold. Both borders are quite narrow, rounded and give the main part an adequate upper and lower limit. The main bar has received the dark blue from the designers. Royal blends with the shiny gold on the smooth, domed surface. This was laid on the blue in the form of a grain. As if applied with a sponge, it is only a subtle addition, so that the blue comes into its own. The gold grain seems to combine optically with the two gold bars. These, in turn, were given a wine red grain. But here, too, it was used cautiously, so that the wine red on the gold strips behaves just like stains that an antique age of the frame suggests.
 1
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Summary

Gemälde
Veredelung
Keilrahmen
Museumslizenz

(inkl. 20% MwSt)

Produktionszeit: 2-4 Werktage
Excerpt from our top sellers
The First Book of Urizen, Plate 21 (Bentley 16) Marie Kroyer seated in the deckchair in the garden by Mrs Bendsens house Summer evening on Skagen Beach. Anna Ancher and Marie Krøyer walking together. Self-Portrait Dominant Violet, 1934 (oil and sand on canvas) The Wanderer above the Sea of Fog Effect of Spring, Giverny, 1890 Assiniboin Indians Study of Fungus Christ carrying the Cross, c.1602 Lucifer Prometheus carrying fire, 1637 Trees at sunrise in autumn Terrace of the cafe at the Place du Forum in Arles in the evening Composition VII
Excerpt from our top sellers
The First Book of Urizen, Plate 21 (Bentley 16) Marie Kroyer seated in the deckchair in the garden by Mrs Bendsens house Summer evening on Skagen Beach. Anna Ancher and Marie Krøyer walking together. Self-Portrait Dominant Violet, 1934 (oil and sand on canvas) The Wanderer above the Sea of Fog Effect of Spring, Giverny, 1890 Assiniboin Indians Study of Fungus Christ carrying the Cross, c.1602 Lucifer Prometheus carrying fire, 1637 Trees at sunrise in autumn Terrace of the cafe at the Place du Forum in Arles in the evening Composition VII

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