A Song of Liberty, text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) by William Blake

A Song of Liberty, text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc)

(Ein Lied der Freiheit, Text aus der Hochzeit von Himmel und Hölle, ca. 1790-3 (Relief Radierung in Stift und WC beendet))

William Blake

Victorian art
A Song of Liberty, text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) by William Blake
Undated   ·  relief etching finished in pen and watercolour  ·  Picture ID: 563336   ·  Fitzwilliam Museum, University of Cambridge, UK / bridgemanimages.com
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A Song of Liberty, text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) by William Blake

A Song of Liberty, text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc)

(Ein Lied der Freiheit, Text aus der Hochzeit von Himmel und Hölle, ca. 1790-3 (Relief Radierung in Stift und WC beendet))

William Blake

Victorian art
A Song of Liberty, text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) by William Blake
Undated   ·  relief etching finished in pen and watercolour  ·  Picture ID: 563336   ·  Fitzwilliam Museum, University of Cambridge, UK / bridgemanimages.com
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Europe a Prophecy Europe. A Prophecy, Frontispiece Proof Impression The Great Red Dragon and the Woman Clothed with the Sun Dante running from the three beasts, Canto I of Inferno from The Divine Comedy by Dante Alighieri, 1824-27 (pen, ink and wc over pencil on paper) Songs of Innocence and of Experience, Plate 36, The Tyger (Bentley 42) The Ancient of Days Lucia carrying Dante in his sleep, illustration to the Divine Comedy by Dante Alighieri, 1824-27 (pen & ink with wc over pencil and chalk on paper) The Temptation and Fall of Eve Songs of Innocence and of Experience, Plate 25, I Want! I Want!, from For the Sexes: The Gates of Paradise, 1793 Albion Rose The Poems of Thomas Gray, Design 47, The Progress of Poesy. Paradise Lost Jerusalem, Plate 46, The Widow Embracing her Husbands Grave (pen and brush and black ink and wc on paper)
Other art prints by William Blake
Europe a Prophecy Europe. A Prophecy, Frontispiece Proof Impression The Great Red Dragon and the Woman Clothed with the Sun Dante running from the three beasts, Canto I of Inferno from The Divine Comedy by Dante Alighieri, 1824-27 (pen, ink and wc over pencil on paper) Songs of Innocence and of Experience, Plate 36, The Tyger (Bentley 42) The Ancient of Days Lucia carrying Dante in his sleep, illustration to the Divine Comedy by Dante Alighieri, 1824-27 (pen & ink with wc over pencil and chalk on paper) The Temptation and Fall of Eve Songs of Innocence and of Experience, Plate 25, I Want! I Want!, from For the Sexes: The Gates of Paradise, 1793 Albion Rose The Poems of Thomas Gray, Design 47, The Progress of Poesy. Paradise Lost Jerusalem, Plate 46, The Widow Embracing her Husbands Grave (pen and brush and black ink and wc on paper)
Excerpt from our top sellers
Eisenwalzwerk Soft Hard Whimsical, 1930 (oil on cardboard) The Dance Foyer at the Opera on the rue Le Peletier, 1872 Composition IX, 1936 Composition, 1930 (wc and indian ink) Ave Caesar! Morituri te salutant (Hail Caesar! We Who Are about to Die Salute You), 1859 Composition VIII Painting by Vassily Kandinsky (or Wassily Kandinski or Kandinskij, 1866-1944). 1915 Sun. 201x140 cm New York, Guggenheim Museum Field of Yellow Irises at Giverny, 1887 Venus of Urbino, before 1538 Boys Bathing, 1912 The Lady of Shalott, c.1894 Comrades, 1924 Intersecting Lines, 1923 Self-Portrait as the Allegory of Painting
Excerpt from our top sellers
Eisenwalzwerk Soft Hard Whimsical, 1930 (oil on cardboard) The Dance Foyer at the Opera on the rue Le Peletier, 1872 Composition IX, 1936 Composition, 1930 (wc and indian ink) Ave Caesar! Morituri te salutant (Hail Caesar! We Who Are about to Die Salute You), 1859 Composition VIII Painting by Vassily Kandinsky (or Wassily Kandinski or Kandinskij, 1866-1944). 1915 Sun. 201x140 cm New York, Guggenheim Museum Field of Yellow Irises at Giverny, 1887 Venus of Urbino, before 1538 Boys Bathing, 1912 The Lady of Shalott, c.1894 Comrades, 1924 Intersecting Lines, 1923 Self-Portrait as the Allegory of Painting

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Ein Lied der Freiheit, Text aus der Hochzeit von Himmel und Hölle, ca. 1790-3 (Relief Radierung in Stift und WC beendet) (AT) Ein Lied der Freiheit, Text aus der Hochzeit von Himmel und Hölle, ca. 1790-3 (Relief Radierung in Stift und WC beendet) (DE) Ein Lied der Freiheit, Text aus der Hochzeit von Himmel und Hölle, ca. 1790-3 (Relief Radierung in Stift und WC beendet) (CH) A Song of Liberty, text from The Marriage of Heaven and Hell, c.1790-3 (relief etching finished in pen and wc) (US) Canzone della libertà, testo tratto da Le nozze del cielo e dell&39;inferno, 1790-3 (incisione in rilievo terminata a penna e wc) (IT) Un chant de la liberté, texte du mariage des cieux et de l&39;enfer, vers 1790-3 (gravure en relief finie en plume et wc) (FR) A Song of Liberty, tekst uit The Marriage of Heaven and Hell, c.1790-3 (reliëfetsen afgewerkt in pen en wc) (NL) Una canción de la libertad, texto de The Marriage of Heaven and Hell, c.1790-3 (Grabado en relieve terminado en pluma y wc) (ES) «Песнь свободы», текст из «Брака небес и ада», ок. 1790-3 (рельефное гравирование закончено пером и туалетом) (RU) ए सॉन्ग ऑफ लिबर्टी, द मैरिज ऑफ हैवन एंड हेल का पाठ, c.1790-3 (पेन और wc में राहत की नक़ल (HI) 自由之歌,来自天堂与地狱的婚礼,17:30-3(用笔和wc完成的浮雕蚀刻) (ZH) Canção da Liberdade, texto de O Casamento do Céu e do Inferno, c.1790-3 (gravura em relevo terminada em caneta e wc) (PT) 自由の歌、天国と地獄の結婚からのテキスト、c.1790-3(ペンとトイレでレリーフエッチングが終了) (JP) أغنية الحرية ، نص من زواج السماء والجحيم ، c.1790-3 (النقش البارز انتهى بالقلم والمرحاض) (AE)


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