Inbe White, 125g
Mulberry bark and hemp, white
Inbe White paper is an example that aesthetics and a technical production process are not mutually exclusive. Production at the Awagami paper mill in Japan is carried out with the highest demands on the product and a great respect for nature. Following the tradition that art should enrich everyday life, high-quality paper grades with exceptional properties are produced. The basis for Inbe White paper is mulberry fiber and hemp. In the scoop screen, this is turned into an image carrier with a grammage of 125 g/m². The texture is filigree and is given a uniform structure by the scoop screen. The plant fibers let the paper shine in a wonderful white, which was created without the addition of bleaching agents and brighteners.
The reproduction of a work of art is given a personal touch by the choice of image carrier. Japanese paper varieties are natural products that give additional value to any interior space. Hemp fibers give Inbe White paper sufficient strength for open decorations. The matte surface translates to the color application and provides an artistic delight that is free of reflections in rooms with incident light. Hanging behind glass increases the protection of the art print from everyday influences. Humidity and the abrasion of removing dust can affect the quality over a long period of time. Framing is equally a personal choice, as is the choice of image carrier.
The delicate appearance of the paper should be printed with care so that the fine structure remains visible. Any painting or photograph without intense color application is an excellent choice. The beautiful white allows colors to shine and supports the atmosphere of works created in a single color space. Before coming to Europe, paper made of mulberry fibers, called kozo, was the image carrier of Japanese art. The art scenes of the European metropolises were taken with the aesthetics of the minimalist form of expression. The first receptions based on the Eastern art form quickly emerged. The enthusiasm extended into Expressionism, and the artists Kandinsky and Schiele in particular found their inspiration here. Schiele's interpretations of nude painting and Kandinsky's colorful compositions harmonize with the traditional character of Inbe White paper.
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The reproduction of a work of art is given a personal touch by the choice of image carrier. Japanese paper varieties are natural products that give additional value to any interior space. Hemp fibers give Inbe White paper sufficient strength for open decorations. The matte surface translates to the color application and provides an artistic delight that is free of reflections in rooms with incident light. Hanging behind glass increases the protection of the art print from everyday influences. Humidity and the abrasion of removing dust can affect the quality over a long period of time. Framing is equally a personal choice, as is the choice of image carrier.
The delicate appearance of the paper should be printed with care so that the fine structure remains visible. Any painting or photograph without intense color application is an excellent choice. The beautiful white allows colors to shine and supports the atmosphere of works created in a single color space. Before coming to Europe, paper made of mulberry fibers, called kozo, was the image carrier of Japanese art. The art scenes of the European metropolises were taken with the aesthetics of the minimalist form of expression. The first receptions based on the Eastern art form quickly emerged. The enthusiasm extended into Expressionism, and the artists Kandinsky and Schiele in particular found their inspiration here. Schiele's interpretations of nude painting and Kandinsky's colorful compositions harmonize with the traditional character of Inbe White paper.
Inbe White paper is an example that aesthetics and a technical production process are not mutually exclusive. Production at the Awagami paper mill in Japan is carried out with the highest demands on the product and a great respect for nature. Following the tradition that art should enrich everyday life, high-quality paper grades with exceptional properties are produced. The basis for Inbe White paper is mulberry fiber and hemp. In the scoop screen, this is turned into an image carrier with a grammage of 125 g/m². The texture is filigree and is given a uniform structure by the scoop screen. The plant fibers let the paper shine in a wonderful white, which was created without the addition of bleaching agents and brighteners.
The reproduction of a work of art is given a personal touch by the choice of image carrier. Japanese paper varieties are natural products that give additional value to any interior space. Hemp fibers give Inbe White paper sufficient strength for open decorations. The matte surface translates to the color application and provides an artistic delight that is free of reflections in rooms with incident light. Hanging behind glass increases the protection of the art print from everyday influences. Humidity and the abrasion of removing dust can affect the quality over a long period of time. Framing is equally a personal choice, as is the choice of image carrier.
The delicate appearance of the paper should be printed with care so that the fine structure remains visible. Any painting or photograph without intense color application is an excellent choice. The beautiful white allows colors to shine and supports the atmosphere of works created in a single color space. Before coming to Europe, paper made of mulberry fibers, called kozo, was the image carrier of Japanese art. The art scenes of the European metropolises were taken with the aesthetics of the minimalist form of expression. The first receptions based on the Eastern art form quickly emerged. The enthusiasm extended into Expressionism, and the artists Kandinsky and Schiele in particular found their inspiration here. Schiele's interpretations of nude painting and Kandinsky's colorful compositions harmonize with the traditional character of Inbe White paper.
The reproduction of a work of art is given a personal touch by the choice of image carrier. Japanese paper varieties are natural products that give additional value to any interior space. Hemp fibers give Inbe White paper sufficient strength for open decorations. The matte surface translates to the color application and provides an artistic delight that is free of reflections in rooms with incident light. Hanging behind glass increases the protection of the art print from everyday influences. Humidity and the abrasion of removing dust can affect the quality over a long period of time. Framing is equally a personal choice, as is the choice of image carrier.
The delicate appearance of the paper should be printed with care so that the fine structure remains visible. Any painting or photograph without intense color application is an excellent choice. The beautiful white allows colors to shine and supports the atmosphere of works created in a single color space. Before coming to Europe, paper made of mulberry fibers, called kozo, was the image carrier of Japanese art. The art scenes of the European metropolises were taken with the aesthetics of the minimalist form of expression. The first receptions based on the Eastern art form quickly emerged. The enthusiasm extended into Expressionism, and the artists Kandinsky and Schiele in particular found their inspiration here. Schiele's interpretations of nude painting and Kandinsky's colorful compositions harmonize with the traditional character of Inbe White paper.
